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Friday, July 14, 2006

Consolidated Works, in Quotes

Posted by on July 14 at 15:28 PM

Consolidated Works, an omelet flung out of its pan by its board more than a year ago—the board, after firing the founder, then scrambled around picking up chunks of eggs, chunks of cheese, weird ingredients out of the back of the fridge, all the while insisting, “We can make an omelet! How hard can it be to make an omelet?!”—is at a very awkward point in its life story.

What’s happening at the multidisciplinary arts space is difficult to write about. The story is just very gooey and floppy and has lost all inertia. Everyone you ask has a wildly different take on what’s going on. Is this the end? Is this a new beginning? Is it from now on going to “live conceptually online”? Brendan Kiley, never one to walk away from a challenge, captures the status of ConWorks in a column this week made up entirely of quotes. If you care at all about ConWorks, you should read it.


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Matthew Richter WAS Conworks. Of course it was doomed to fail after the Board of Directors STOLE it from him. Conworks was highjacked from its founder and they underestimated the value he brought to the organization. They thought they could do better than he, that his expertise, energy, determination and intense involvement were replaceable. By not just coming out and saying WHY they ejected him, the Board created a drama around his ousting that soured and doomed the organization and everything they touched. They were dilettantes and thieves, and now they're closing a fabulous facility that is irreplaceable.

They should all be ashamed of themselves.

Any founder who elects to turn his or her organization into a 501c3 non profit knows (or should know) that they become nothing more than an employee of the organization, and the Board has the power to remove them.

I do not like that Seattle arts orgs have an apparent love for exercising that power, and I disagreed with Richter's firing. But everytime I see someone crying about how his company was "stolen" from him, or that the Board "had no right" to fire him, or Richter's incredibly bitter and personal-disguised-as-objective article against the non-profit model, I shake my head at the misinformation. ConWorks wasn't stolen from Matthew Richter. He gave it away the day he applied for federal non-profit status.

That said, I am skeptical about the future of ConWorks, which is too bad. Seattle artists (and arts audiences) NEED ConWorks, or an organization like it.

I was a regular, usually the only regular, performer at ConWorks during part of Matthew's tenure there for Idiot Wind, as well as a charity show, and I was allowed to just stroll in there and do anything I fucking felt worthy of flushing down my own toilet if I so desired, from 'Bonkers and Me' to 'I am the Sun'.

I miss that, and the rest of the land is full of all of these shit-bags, though decent enough folks outside of their own blown-out arty egos, who think they're all of these great art directors, curators, and so forth. It snuffs most all orginality out and makes me want to vomit all over my meaty balls with what some of you are doing out there to the performance landscape. Absolutely fucking boring folks! I'm totally raw, unrehearsed, for the most part, and that's how it is.

Hey Matthew, thanks for the good old days! No, they never really come back, otherwise they'd be called the good old todays.

Inkblot

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