Thursday, May 17, 2012

Opening This Weekend: Trimpin at On the Boards

Posted by on Thu, May 17, 2012 at 2:39 PM

1112_trimpin_0.jpeg
  • OtB

From the most recent A&P performance calendar:

Trimpin: The Gurs Zyklus (May 17–20): The Gurs Zyklus, by composer and kinetic sculptor Trimpin, sounds insane. Trimpin invents instruments, pushing their boundaries: a gamelan whose iron bells are suspended in midair by magnets (which allows for extra-long tones), a contraption made of 96 wooden clogs that plays 20 different compositions, a long bass clarinet that can achieve microtonal scales, and much more. The Gurs Zyklus is an experimental opera based on letters from Gurs, a concentration camp where the Jewish community of Trimpin's hometown was interred during WWII. For this piece, Trimpin will introduce a "fire organ" (like a pipe organ that uses thermodynamics and a Bunsen burner to make its sounds), castanets that tap out the Morse code signal to kill the poet Federico García Lorca ("give him coffee"), and a computer program that reads photos of tree bark taken near Gurs and transforms them into a score for four player pianos. Like I said: insane. Directed by Rinde Eckert.

I'm having trouble imagining what this will be like—which is my favorite way to feel about a performance I haven't seen yet.

 

Comments (4) RSS

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1
Sorry, which concentric circle of Hell is this being performed in?
Posted by catsnbanjos on May 17, 2012 at 2:43 PM
2
The deepest one, CnB. You wouldn't last a second.

Trimpin is a god among men. This is going to be amazing.
Posted by paulus on May 17, 2012 at 4:17 PM
Tracy 3
Oh, I love Trimpin so much. I've watched/heard three interviews from him over the last 2 years. He's such a delight.
Posted by Tracy on May 17, 2012 at 4:20 PM
4
This was more of a spectacular installation of historical musical art than a theatrical performance, and it was often too jarringly disorienting to make up a coherent narrative. That said I enjoyed the many apparati (especially the water apparati), the operatic songs and the weaving in of the historical context.
Posted by Gomez http://misterstevengomez.com on May 21, 2012 at 1:28 PM

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