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Tuesday, January 22, 2013

Currently Hanging: Trimpin's Thomas Kinkade Peep Show

Posted by on Tue, Jan 22, 2013 at 11:41 AM

Pay a quarter, see the Kinkade for two seconds before the mirror comes back down.
  • Courtesy of Trimpin and Winston WÄchter Fine Art
  • Pay a quarter, see the Kinkade for two seconds before the mirror comes back down.

The late Thomas Kinkade's painting empire was always dirty—and I mean truly gross, not naughty and fun. It's only fitting that now, there's a Kinkade peep show. It's a Kinkade paintingTM, hidden behind a framed mirror on the wall. Put in a quarter and the mirror rises to reveal the Kinkade—for two seconds. Then the mirror lowers again, replacing the image of your face, probably laughing. What did the painting actually look like? Who the hell cares. Every single one of them is the damn same, whether it's The Light of Peace or Rosebud Cottage or Gazebo of Prayer, Graceland Christmas, Savannah Romance. A gloss on Christian hypocrisy. Speaking of which, here's a heartfelt blog post from someone who was excommunicated a year ago from creepy, creepy Mars Hill.

The peep-show Kinkade is at Winston Wachter Fine Art in South Lake Union this month, which is having a whole show of work by MacArthur Genius-winning Seattle artist Trimpin. This is the first time Trimpin has ever had a solo show in a commercial gallery. Fittingly, there's not much to buy there but plenty to see. The Kinkade is a painting someone regifted to him after receiving it as an unwanted present.

Also in the show: deconstructed pianos showing their guts. They do play. They make sounds in various ways. One is machine-and-joystick-controlled; another is set on continuously rolling rollers with silver balls that run back and forth, striking the strings. Why'd you pick this color? I asked Trimpin about a piano that's really quite pink. "I love purple!" he answered. Is this maker of colorful sound work a little colorblind?

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Comments (7) RSS

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AmyC 1
Went to the Minneapolis Institute of Arts a couple weeks back, and wandered into the 20th century American art section. It's a pretty random assortment of art, but it's all amazing. I turned my head at one point and my eyes fell on a piece of schlock across the room that was so surprising it its awfulness, I actually laughed out loud. It seemed so unequivocally out of place, like a Big Mac at a state dinner. So I went over to see what it was. Thomas Kinkade. Of course.
Posted by AmyC on January 22, 2013 at 12:20 PM
2
His (Kincade's) work is bad art, but the product he made was definitely popular. I hate to be as snobby as @1 (you made yourself a caricature with that comment, AmyC), but I can't disagree. How did an illustrator of Christmas card quality scenes develop such an empire? Was it just great marketing?
Posted by shotsix on January 22, 2013 at 12:35 PM
AmyC 3
That was intentional. His art is remarkably bad, and in a very particular and immediately identifiable way. I'm sure I'm far from the only MIA visitor who's had a similar experience.

For what it's worth, my disdain for Kinkade is nestled deep with my emotionally fraught past history with American Evangelical Christianity and has much more to do with that than any notion I might have of my own expertise/taste in art. His art is meant to tug on the viewer's heartstrings, and, for me, knowing how much his paintings have to do with Jesus, et al, the only strings they tug are the ones that operate my gag/horror/rage reflexes.
Posted by AmyC on January 22, 2013 at 12:57 PM
Tracy 4
I love Trimpin so much. I've seen/heard him interviewed a few times, and I have been utterly charmed each time.
Posted by Tracy on January 22, 2013 at 1:39 PM
5
Looks purple to me. But you're the expert, so whatever.
Posted by Thisbe on January 22, 2013 at 2:25 PM
rob! 6
#DC5E8D
R: 220
G: 94
B: 141

Just sayin'.
Posted by rob! http://www.youtube.com/watch?v=QZBdUceCL5U on January 22, 2013 at 7:41 PM
7
@6, whoa. That is awesome.
Posted by Jen Graves on January 23, 2013 at 9:37 AM

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