As the ever-eloquent Marti Jonjak writes in the latest Worn Out:
In the pages of Debbie Roberts's fashion portfolio, the scenes are still but urgent feeling, with bright cold days and starkly gorgeous mid-century architecture. Along with every flouncy detail comes a certain sharpness, and the model's beauty takes on a serious and learned quality, connoting images of flowers—not real flowers, but technical pictures of them, rising up from slides and textbooks.
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