I (Lindy West, Girl Reporter) spoke to an extremely nice and cautious employee of Barneys New York at Pacific Place (who asked not to be identified), who told me, "I don't know that there's any real message," and directed me to the artist's website (describing her as "a larger Russian woman"—apparently this is large in the Barneys universe), explaining, "Without the context it does just look like random cartoon ladies, but if you actually look at the drawings in context it makes a lot more sense." I asked what the drawings meant in context. "There's just a lot of great imagery," I was told. I asked if the displays might be construed as insensitive. "Your observation—you wouldn't be the first to have that," the Barneys employee said, "but yeah. I mean, for people who aren't in on the joke, I can see how it could be offensive, but..."
"I'm still not totally clear on what the joke is," I said. "Yeah, I'm not either," admitted the Barneys employee. "That's why i don't want to say anything."
Personally, I actually feel the opposite of the Barneys employee—I don't think the artist's drawings are offensive in and of themselves; in fact they are rather cute. It's the context that made me do a "GWUUUUHHHH???" It is certainly Barneys New York's prerogative not to carry plus-size clothing. Not a problem. No big deal (no pun intended, etc etc). But fat women are acutely aware that it's difficult for them to find fashionable clothing (choices are limited to about three stores—get ten fat women in a room [HIDE THE DORITOS!] and six of them will be wearing the same dress) and physically impossible for them to buy high-end designer pieces. But does Barneys New York have to broadcast, as a big fat punchline (a self-described "joke") stenciled on their store windows, the disappointment and mild humiliation that awaits any foolish fat woman who dares to enter their store and attempt to purchase some stupid $4,000 shorts?
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BNY: So many of your paintings depict graphic, curvaceous women. How does the female form inspire you?http://thewindow.barneys.com/in-the-barn…
EK: There are several layers to my engagement with this form. This type of representation stems from a long tradition: from Etruscan and Greek art to Rubens, Matisse and Picasso, women have always looked plentiful (perhaps because such forms would give the artist more to work with?). I’m sure there’s a better reason. Also, it has to do with exaggeration. The women in my paintings are all about to burst. It is probably some sort of existential bursting, but filtered through comedy. Humor is a way of coping with the idea of the body’s eventual demise, as well as the ongoing absurdities of life. I’m not implying that “hefting” equals funny. The humor is more in their interaction and reference to comics and cartoons. Body type can be easily politicized, but to me this is not a moral issue. I always separate reality from representation.
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