Dombrosky hand-embroiders over notes he finds in the streets; he pokes holes first in the sometimes-delicate papers, then runs the stitches where he's already poked the holes, tracing over the handwriting in thread of the same color as the ink, fixing and memorializing what's been thrown away or lost.
Often he pins the notes to the walls, but in this show they're framed—and the frames have a story of their own. James Porter, the preparator at Tacoma Art Museum, custom-made the frames for Dombrosky, and also placed the notes inside the frames (sometimes lining up the lines of the notes rather than the edges of the paper with the edges of the frames, or hiding a note in a corner, or centering it perfectly, which becomes a pointed act in the case of a drawing of a castle marked "crooked").The other thing to know is that these frames are from a special tree: the 400-year-old cedar that Salish artist Shaun Peterson is using to carve a welcome figure for the Tacoma Art Museum, a project that has been underway for several years, since the museum held an exhibition that kicked off the idea. Peterson gave Porter his scraps for the frames—and they're gorgeous.
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