Marilyn Raichle, founder and former director of the Seattle International Children's Festival, has stepped back into the organization to replace Andrea Wagner, who was fired a few weeks ago after 13 years at the helm.
People are describing the situation at Giant Magnet (SICF's new name after a re-branding campaign) as ConWorks all over again: a popular leader of a performing arts organization gets the axe for reasons the board refuses to explain.
Now another parallel—the board hires a dubious replacement.
Back in 2005, Marilyn Raichle was fired as the director of Foolproof (a nonprofit that booked speakers like Bill Clinton and Cornel West). Two years later, the organization died of debt, according to board president Sheryl Harmon, because of "years of irresponsibility and mismanagement of funds."
From that 2007 story:
"I never mismanaged funds: That implies a criminal use of money," Raichle said. "It was difficult, God knows. I was juggling." Raichle guesses the board fired her because "they felt abandoned. Mom left.""'Mom left'?" Harmon laughed over the phone. "I don't think she understands the scope of how many people she has hurt financially. How can you continue to take money from people you know you can't pay back? We're probably close to around $400,000 of unpaid personal loans to Foolproof and Marilyn," Harmon said. "There are those of us who stayed and did the right thing by bringing Foolproof to a close rather than let it continue to take people's money."
So. Mom's back.
(More below the jump, plus the question that claws to the surface and stalks around Seattle every few years: Do we have a board problem?)
Raichle replaces Steve Havas, a business consultant who joined the Giant Magnet board six months before Wagner was let go. He briefly took over her duties.
"We thought it best for this organization that we love that it find new leadership," Havas said. "We explained our reasons to Andrea and I don't think I should say any more than that."
“I have no idea why I was let go,” Wagner says. “Much as I have tried, I can think of no reason why this course of action was chosen.”
The board vote wasn't unanimous—Michael Dingerson, who has been on the board for eight years, resigned over the firing.
"I wasn't the only dissenter," he said. "And I don't think I'll be the only person to eventually resign over this. I simply, strongly disagree with the choice that they made." Even Dingerson was reluctant to explain the argument for firing Wagner. "It's fallacious: Just repeating it would be to repeat incorrect criticism."
A question has been hanging in the air ever since the news broke about Wagner's firing, a question that gets asked every few years: Does Seattle have a board problem?
A quick list of local board crises:
On the Boards fires Mark Murphy. The board of the Empty Space lets the theater die from bad cash flow. Also that year, the whole ConWorks thing.
Now Giant Magnet—I'm sure I'm forgetting others. They seem to happen just infrequently enough, someone pointed out, to fail to achieve critical mass. Just infrequently enough that people don't get together and try to figure out whether a) we have a problem and b) if so, how to fix it.
"The preponderance of this [Giant Magnet] board has not been on other boards," said Dingerson. And I don't think that's rare in Seattle. "You get an inexperienced group of people in difficult circumstances and they'll entertain some dangerous choices."
We have one unarguable problem: Seattle boards are not very suave. Even if they have good, justifiable reasons for firing these popular directors—reporting on these situations is like reporting on a breakup; you know who you like, but it's impossible to know what happens behind closed doors—they're all thumbs when it comes to execution. They appear scattered, imperious, silly, then back on their heels when they get blowback.
At the very least, the boards could be a little smoother.
We saw what happened when ConWorks clumsily swapped out a well-liked leader (Matthew Richter) for a not-very-well-liked one (Corey Pearlstein).
Let's hope the same doesn't happen to Giant Magnet—for the children's sake.
3
11
16
25
Comments (25) RSS