One more word about Zia, this year's recipient of the Genius Award for film:
It's really useful to compare Zia's growing body of work to that of
Malik Hassan Sayeed, the cinematographer for Hype William's only feature,
Belly, and two of Spike Lee's best films,
Girl 6 and
Clockers—he also did second unit work on
Gattaca and
Eyes Wide Shut. Zia and Malik do not fear the beautiful. And certain people do fear and try to stay away from it. I recall, for example, the veteran director Robert Benton explaining to me that for his film
The Human Stain, he only allowed his cinematographer, Jean-Yves Escoffier (who died soon after completing the movie), to have three beauty shots for the entire work. Such a restriction would be fatal for Zia and Malik—who, sadly, has not had that much work this decade. If there's no beauty in the film, then the very essence or meaning of their art is missing.
Zia the beautiful:
Malik the beautiful:
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