
She said that when a female corpse recently appeared on the jacket of a crime-writing colleague's new book, the author pointed out to her publisher that the victim in the story was actually a man. Mann said the publisher replied: "Never mind that. Dead, brutalised women sell books, dead men don't. Nor do dead children or geriatrics."
But the thing that doesn't exactly make sense, Mann points out, is that the worst offenders of the hot dead girl trend are female authors. Mann suggests that this is because "girls grow up knowing that being female is 'synonymous with being prey'." Speaking anecdotally from my experience as a bookseller, more women buy mystery novels than men, too.
When I read mystery fiction, I generally find that in the uninspired, more formulaic examples of the genre, the detective (or the police officer or the baking granny or the cat lady or whoever is solving the mystery) is the least interesting part of the book. The author often makes the victim the centerpiece of the book, so that in at least one way, their series has a different, if very passive, protagonist every time. So is this a case of the reader identifying with the corpse? Is the idea of being avenged at play here, and a morbid curiosity about victimization?
(Awesome cover image of a woman being brutalized by a gorilla as a clown fights for her honor from The Fiction Mags Index.)
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