One of the great pleasures of the show is the small body of paintings and sculptures by David McDermott and Peter McGough. The two artists, formerly a couple, live anachronistically (using candles rather than electric lights, for instance) and make their art that way, too. Each work has two dates, one given and the actual date of the making, as if to reinscribe their subjects—gay men—into history retroactively. The effort is a form of resistance with endless potential, and the results are moving. The white painting In Praise of Shame, 1915 (2000) is dotted with portraits of dapper men in hat and suit; each reads both as target and window into another, more colorful world. There are so many pasts to remember.
Here's their Divine Fury, 1932 (2002), oil on linen, 60 by 48 inches.
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