In the Dardenne brothers new and excellent film, Lorna's Silence (it's currently playing at the Varsity), a woman, Lorna (the beautiful Arta Dobroshi), in the late part of her twenties, has to make a tough decision.
She, an Albanian immigrant, is married to a Belgian junky for the useful (and loveless) purpose of obtaining citizenship. The person who arranged the marriage, an Albanian gangster who operates out of a taxi, wants to kill the junky and set the stage for a larger plan involving a rich Russian. Though Lorna hates the junky, she does not want him killed. She wants a simple divorce and to pay him what she owes. The gangster wants death and nothing else. At the moment the junky is unwittingly walking to his death (a hitman in the form of a drug dealer), Lorna takes off her clothes and offers him a another direction: she offers him sex; in short, she offers the junky life. The scene brings to mind another scene in another movie, Tarkovsky's
Sacrifice. In that film, a man (a professor) is told by a postman that he can save the world from World War III by having sex with a witch (a maid). Both movies reach the core of
Diotima's wisdom: reproduction is the meaning of love. And love is the meaning of life. Life is right; death is wrong. That's the raw ethics of the
Dardenne brothers.
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