Terry Teachout (theater critic for the WSJ) and a "New York drama critic who shall remain nameless" are having a scrap over Obama's trip to Broadway to see Joe Turner's Come and Gone.
Partial back story: Teachout has been arguing that New York and its theater critics are too provincial and not even all that special, and that American regional theater is just as good as Broadway's. What he said:
You don't have to go to New York to see first-rate shows. You can see them in the place where you live, or in a city not too far from your home town—but save on the rarest of occasions, you can't read about them in Time or Newsweek or the New York Times.
You can, however, read about them in the WSJ—Teachout is the only New York-based critic who travels the country to see what kind of theater America is making.
Teachout and the NYC gang already have a little bad blood going. So when Teachout wished Obama had gone to see something in DC instead of Joe Turner on Broadway, it set tempers aflame.
Teachout's wrong, of course, to ignore the symbolic significance of Obama's choice. It's all about race—a classic play by August Wilson (who famously argued for a separation of black and white theater) directed by a whitey (Intiman's Bart Sher), which set off a little race-relations shitstorm. Plus, the Obama administration just nominated a Broadway producer to helm the NEA. (Plus, every critic who's seen this Joe Turner loves it. Plus, Joe Turner is a great American play. Plus, etc., etc.)
Team Obama is too sensitive to racial and political hermeneutics to not know that Joe Turner on Broadway is the perfect play—the only play—for Obama to attend.
Still, Teachout's rebuke to the NYC critic (the title of this post) is delicious/ridiculous.
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