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Wednesday, May 27, 2009

About that Othello Intiman Is Bringing from New York

Posted by on Wed, May 27, 2009 at 9:28 AM

Remember that post about Sher leaving Intiman, lo those many posts ago? No? Me neither.

(It's funny how, after years of people wringing their hands and speculating about when Sher would finally leave Intiman—years of people sending me gossipy emails saying they were sure Sher was already almost gone—the actual announcement has failed to inspire a strong reaction from Seattle. Maybe the city had become so used to the idea that people are finding it hard to get worked up. Or maybe it's just me.)

To refresh: Sher is leaving Intiman, but not before spending a significant chunk of time helping break in the new, chosen-but-unnamed artistic director. Also, Intiman is swapping out Sher's Othello for an Othello by NYC's Theater for a New Audience.

What I'd forgotten to mention: That local union people will probably be a little grumpy about the Othello swap. They're already edgy about losing work as regional theaters cut their budgets and bring in more pre-built, out-of-town productions to save on labor costs.

A certain union-booster-about-town (let's call him Bing) said he received this email after opening night of 1,000 Clowns at Intiman:

To: Bing
Subject: time to meet

Hi Bing -

I hope you enjoyed the show at Intiman last night. After you left, [XXXXXXX] told a long story about how she and her staff have been totally screwed by Bart bringing in the production of Othello from New York. Although that decision was evidently made a month ago, they neglected to tell the staff (and possibly the Seattle actors who had been "hired") that they were no longer needed and that they were all being laid off a month early. It sounds like a terrible situation and handled extremely poorly leaving lots of people scrambling.

See? Grumpiness.

UPDATE

In the comments, COMTE (as ever) reminds me of something else: That this is not the first big theater in Seattle to swap a local for an imported production this month. In early May, the Rep announced it would swap Hay Fever, directed by Warner Shook, for 39 Steps, which began at La Jolla Playhouse and moved to Broadway.

 

Comments (11) RSS

Oldest First Unregistered On Registered On Add a comment
Greg 1
Considering how much substitution is going on recently, there's no way in hell I'd get a subscriber package even if I weren't able to get $10 tickets.
Posted by Greg on May 27, 2009 at 9:33 AM
Carollani 2
Jesus Christ, there are so few acting jobs in Seattle already without them importing actors for our "local" theaters.
Posted by Carollani http://twitter.com/carollani on May 27, 2009 at 10:01 AM
3
The only "surprising" thing about Mr. Sher's departure is that it took so long for him to finally admit publicly what has been glaringly obvious to many of us for quite some time, namely, that he no longer holds even the slightest interest in continuing to work here in the hinterlands, not while the siren-song of The Great White Way beckons from afar. Once he removed his permanent place of residence to Manhattan, such an announcement was inevitable, and frankly, the sooner the better for all concerned.

(Of course, one cannot help but note he will continue to draw a not inconsiderable double-paycheck from both Intiman and Lincoln Center for the duration, which no doubt played some part in his decision to "delay" his departure.)

And one must question whether importing a "pre-built" production of a Shakespeare play will really SAVE the theatre any significant amount of money. Particularly when production labor costs are weighed against the costs of airfare, hotel and per diem required to transport, house, and feed 20+ actors for some six weeks, and taking into account the presumably above-scale wages their New York agents will no doubt demand for their services - all of which would NOT have been spent had Mr. Sher simply honored his contractual obligation as Artistic Director and mounted a local production as originally advertised.

But then, it must be so terribly fatiguing to make the constant back-and-forth trips between New York and Seattle, and one imagines Mr. Sher quite capable of carrying out his other, more menial duties from a distance, whereas directing would have required his actual presence in Our Fair City.

But, given his apparent disgust with the backwardness of our provincial little hamlet, one can somewhat understand his reluctance to be seen on its streets and thoroughfares, lest he become the target of fusillades of rotten Pike Place Market vegetables pitched in his direction by incensed Intiman patrons who are being forced to continue paying him what is, in essence, an unearned salary for the next 19 months.
More...
Posted by Mr. First Nighter on May 27, 2009 at 11:22 AM
4
if they were going to fuck over a local crew(/cast), they should have chosen a better production. the NYT review begs to differ, but I thought Othello at Theater for a New Audience was ridiculously safe (read: dull) and not engaging in the slightest; all I thought about for two hours was Hans Altweis, & wouldn't it be amazing if he magically appeared onstage and saved the damn thing...
/nerd-rage.
Posted by Harker on May 27, 2009 at 11:23 AM
Greg 5
@4: Agreed. Altwies was excellent in both The Seafarer and The Cure at Troy.

Another thing: Why the hell are we bringing in packaged shows and New York actors when we have the #4 drama graduate program in the country?
Posted by Greg on May 27, 2009 at 11:44 AM
COMTE 6
@5:

I think @4 may be referring to Hans' outstanding turn as Iago in the "Chamber Othello" Seattle Shakes did a couple of years ago.

And while your question is certainly valid, the more pertinent one might be: why do Seattle audiences, generally recognized as some of the most sophisticated theatre-goers in the country, continue to put up with this sort of provincial bait-and-switch nonsense?

Oh, wait. They don't. That's why season subscriptions for most of the major houses have been seriously in the toilet for the past several years, precisely because many patrons are getting tired of being constantly dicked around, promised shows that get axed from the schedule, and replaced by shows they may not have any desire to see, but can't back out of paying for, because the organization already has their money.
Posted by COMTE http://www.chriscomte.com on May 27, 2009 at 12:29 PM
ankledeep 7
I'm glad you've taken the opportunity, Brendan, to ever so subtly show your anti-union bias. Why not just say local theatre artists and artisans are getting screwed out of meaningful work, rather than singling out just those that are in a certain guild or union.
Posted by ankledeep on May 27, 2009 at 1:27 PM
Greg 8
@6: Thus, comment #1.
Posted by Greg on May 27, 2009 at 1:33 PM
9
I wish some enterprising young filmmaker would edit a continuous loop of Sher flipping his hair on "Charlie Rose."
What would the soundtrack be?
Posted by tacomaactorsguild&theemptyspace on July 12, 2009 at 9:16 PM
10
tacomaactorsguild&theemptyspace: how bouts "you're so vain" (you probably think this song is about you, yea- you're so vain...") An oldie, but I am betting this shoe fits Bart like a glove.
Posted by BartForNarcissistOfTheYear on July 14, 2009 at 11:42 PM
11
What's the matter? Y'all aren't just fucking GRATEFUL that Big Daddy threw us a lollipop on his way out the door? "Here, children- this production is from NEW YORK!" I get so tired of people in this town who are willing to kneel down to Sher's flatuence and call it sweet perfume. "It has a wonderful oaty quality, doesn't it, honey?" He's always been about casting out of town actors so long as they've appeared on CSI or Law and Order.

But as to Kiley's crack about 'some grumpy union people'- I suppose he'd be fine with us saying that we no longer want to read anything by a critic who hasn't done a stint in the New York press.
Posted by brueso on July 15, 2009 at 12:33 PM

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