...does invoking "2 Girls, 1 Cup" make you wanna eat?
It's a Playboy ad, not a Quizno's ad, but... seriously. The hawtness of the two girls featured in this ad (and the deliciousness of that sub) isn't quite hawt enough to obliterate memories of the revoltingness of the "2 Girls, 1 Cup" video. But maybe it's me? I'm not exactly the targeted demographic here.
Last night, the Roosevelt Development Group presented four sets of plans to neighborhood residents that, if developed, would transform several blocks of run-down houses along Northeast 65th Street into dense clusters of apartment buildings. The most ambitious would allow the tallest buildings to reach 160 feet—a height that one neighborhood leader calls “laughable.”

Buildings in the teal areas would be up to 160 feet tall; the seafoam would be up to 125 feet; the blue would be up to 85 feet.
A mid-range proposal caps out with buildings at 85 feet:

In this diagram, buildings in the blue areas would be up to 85 feet and those in orange would be up to 65 feet.
Although eight-story buildings are taller than what neighbors would like (they want 40 foot tall building limits, even though it’s near a light-rail station), it’s more realistic for the area. For instance, in the comparable urban village of Ballard, there are a few 85-foot buildings.
But landlord Hugh Sisley, who dreams of converting his quarter-million square feet of blight into towers, is essentially compelling the Roosevelt Development Group (RDG) to pursue the tallest buildings the city will allow. RDG's Ed Hewson says Sisley "needs to make sure that there isn’t any potential in the land that that he hasn’t taken advantage of.” In other words, to fulfill their contract with Sisley, they have to push the city’s impact review study (of traffic, parking, shadows, etc.) and the neighborhood leaders to their threshold of the tallest buildings they will accept. This is a game of chicken between Sisley, who wants height, and the neighborhood, which hates blight. In theory, Sisley could walk away from the project if the city—lacking a neighborhood endorsement—doesn’t give him the height he wants. How much height does Sisley need before he agrees to build? “I cant really expand on that under our agreement,” Hewson says.
However, 85-foot buildings could present some problems, even though the proximity to light rail is ideal for high density. Under state building rules, buildings over seven stories must be constructed from steel or concrete (not the wood-frame stuff in most of the mixed use projects around town). This adds considerably to the cost. In Ballard, the newly completed Leva apartments (eight stories of concrete and steel), one-bedroom apartments of 900 square feet rent for a whopping $1,987. As of a month ago, the project was offering up to six weeks of free rent and six months of free parking to get tenants in the door. Steel apartments are expensive and hard to fill. Sisley and the RDG may be wise to limit their ambitions to more 65-foot buildings, which garners greater chances of neighborhood support and still allows tremendous density. Moreover, it guarantees the units will remain less exorbitant and will actually, you know, rent. Density potential is meaningless unless you can fill a building with tenants. “We really do want to develop buildings that are attractive and popular, because, for us, that means economic success,” Hewson says.
GOOD Magazine was at this year's Women in Conservation luncheon, where the National Audubon Society hands out the Rachel Carson Awards.
One of this year's winners was Sylvia Earle, an oceanographer. Here's what GOOD says she said in her speech:
She spoke about one thing we can all do to help protect our ravaged oceans: Stop. Eating. Fish.
...
She also said that these next 10 years will prove to be the single most important decade for hundreds to come, and that we have a rare opportunity to change our behavior before it’s too late.
Who's gonna break it to Mrs. Paul, though?
Slog commenter Abby, in her day job at Choice Organic Teas, is giving away two free tickets to any regular SIFF show.
All you have to do to enter is leave a comment on this blog post. (Once you win your SIFF tickets, you might want to go see Rembrandt's J'Accuse, The Fortress, or Hooked. I'm just sayin'.)
* They really do make some yummy teas over at Choice, and I say this as someone who drinks 6 or 8 cups of tea a day.
I finally had the chance to try Yellow Leaf Cupcake Co. in Belltown (they opened officially on May 15th). Their trademark cake is the Tomato Soup cupcake and when I posted that on Slog on Thursday people said:
"Tomato soup? That makes me want to hurl."
"Tomato soup does not sound appealing to me... I'm not sure I've ever had a savory cupcake I've liked. And not for lack of trying..."
But it's not a savory, tomato-y cupcake at all. It's basically an orange-colored, sweet spice cake with a swirl of light, creamy chocolate frosting on top (it's the small cupcake on the left in above photo). You'd never guess there was soup in it. If you like pumpkin bread, chances are you'll be a fan of the tomato soup cupcake.
The lemon and black forest cupcakes were also tasty (I liked those more than the tomato soup cupcake, actually... as the latter was just a tad dry). They're no Sugar Rush, but a) they're new and b) they're not all the way over in West Seattle. Tomorrow's flavors will include root beer float and peanut butter and jelly, but get there early if you want your pick of the flavors. They're still trying to figure out how many cupcakes they'll need each day, so they often run low later in the afternoon.
Also: they plan on posting their flavors of the day on their Twitter account. A fine use of Twitter if I've ever heard one.
Photo by Robby Macdonell
Seattle Police apparently have an audio recording of the entire encounter between officers and Shane Becker inside of the downtown REI on May 9th.
Seattle Police Officers' Guild Rich O'Neill says the tape—which won't be publicly available until after the Office of Professional Accountability completes its investigation—proves the officers were in line with SPD policies and will likely end the debate over whether REI security staff asked police to remove Becker from the store.
I'm also working on getting a copy of the 911 call to find out who reported the incident to police.
Stephen Bassett claims that the government has the solution for global warming all wrapped up in a little Nevada military base called Area 51. He wants President Obama to unveil the secret UFO technology that the government has been hiding all this time:
The power source, he said, chronicled in a report Greenwire did on the subject, behind a flying saucer the weight of a tractor-trailer which hurtles through galaxies at 20,000 miles per hour is astronomical.“What is the energy system operating that craft?” Bassett said. “They’re not burning kerosene. It eliminates oil. It eliminates coal. If it’s as good as we think it is, it transforms everything.”
Bassett is also the founder of the "Million Fax on Washington," in which people are supposed to send faxes pleading for the government to declassify all its (supposedly voluminous) files on extraterrestrials. (Apparently, faxing is the new marching.) Did people like Bassett make public calls on George Bush to do shit like this, or is this the special hell of a Democratic president?
The Seattle PostGlobe's Jake Ellison, a former "online producer" at the Seattle P-I, writes:
During my last year at the Seattle Post-Intelligencer, in its last year as a newspaper, I published online thousands of pictures of half-starved, mostly naked women — celebrities and fashion models.I even became so deranged as to argue vehemently in the newsroom that those photos were necessary because we were a dying industry and people wanted to look at those women, so get on board.
Now I am unemployed, living off my wife and the state, applying for jobs I don’t want because they are not the job I had, before it became so trashy. I get up early still, help my wife off to work and my kid off to school, do a round of dishes and tell myself it’ll be all right. But, it is hard not to panic when you are unemployed.
Maybe I should have taken the pay cut and joined the online-only P-I, made more galleries of women. Maybe I sold them short and was too Pollyannaish about my future. Maybe I got too high-minded, and maybe writing novels isn’t any better.
As a kind of exorcism, I write this confession: I was in love with journalism, and it was an extremely complicated and torturous love affair that ended with tawdry efforts to please eclipsing the desire to do good. ...
I, like most bloggers and formerly employed journalists, am now writing for free, and that is not a sustainable social model for finding, investigating and sharing information about the powerful, the greedy and the downtrodden.
Unless local users conscientiously seek and support local substantive journalism with money, real local news will continue to be spotty at best, barely afloat in a sea of nearly-naked celebs.
Ellison's prognosis seems right on to me. Why, in a media landscape where there are more news options and diverse perspectives than ever before, would I want to read an online paper where "Seattle Views" are represented by the likes of Greg Nickels, Tayloe Washburn, Dave Reichert, Jim McDermott, Norm Stamper, and a parade of male CEOs and politicians... and women, with a couple of exceptions, are represented by this?:

Already made the joke, don't worry. Now here's the latest in the genre:
Washington State's unemployment rate held steady in April, the first time in more than a year that the jobless rate hasn't risen.The statewide seasonally adjusted jobless rate was 9.1 percent last month, the same as March's revised figure, the state Employment Security Department reported this morning.
But it's too soon to say whether the flat rate represents the peak of Washington's economic woes, or merely a pause on the way to even greater pain.
It's more of an email exchange, actually, than a letter...
From: bulletinman@XXXXX.XXX
To: mail@savagelove.net
Subject: Re: Miss CA
Date: Mon, 18 May 2009 19:53 PMMiss CA could kick your ass! She stood up for what she believed in. Realize that your lifestyle is going to kill you and send you to hell. You have been informed and warned.
From: mail@savagelove.net
To: bulletinman@XXXXX.XXX
Subject: Re: Miss CA
Date: Mon, 18 May 2009 19:55 PMwe've all gotta go sometime, and i'm happy to go with my boyfriend sitting on my face, thanks.
best,
dan
From: bulletinman@XXXXX.XXX
To: mail@savagelove.net
Subject: Re: Miss CA
Date: Mon, 18 May 2009 19:59 PMYea but you don't have to go to hell, repent and be baptized in the name of Jesus and you will be saved and filled with the Holy Ghost. Try it you'll like it. Money back guarantee!
From: mail@savagelove.net
To: bulletinman@XXXXX.XXX
Subject: Re: Miss CA
Date: Mon, 18 May 2009 21:18 PMi was baptized, raised catholic. you religious folks had total access to my impressionable head, unchallenged, for the first 15 years of my life. it didn't take. sorry.
dan
From: bulletinman@XXXXX.XXX
To: mail@savagelove.net
Subject: Re: Miss CA
Date: Tue, 19 May 2009 08:06 AMWell I'm praying for you. Thanks for getting back with me. Have a great day.
The Millions reports that Haruki Murakami's newest novel, 1Q84, will be released in Japan at the end of this month. It will be a huge novel—two volumes—and people are theorizing that it's either a play on Orwell's 1984 or a callback to Lu Xun's novella The True Story of Ah Q, but there have been surprisingly few leaks about this book. (If you haven't read Murakami, you should read Hard Boiled Wonderland and the End of the World, Norwegian Wood, and Sputnik Sweetheart. After you've read at least two of those three, you should then read Wind-up Bird Chronicle, which is his masterpiece thus far.)
Murakami's last novel, Kafka on the Shore, was very good. Not his best, but still ambitious and interesting. He always seems to be trying hard to keep his work fresh, which most authors of his caliber normally can't manage to keep up. The saddest part about all this is that there's no release date yet for the English translation of 1Q84. If US publishers are as slow about this as they always are, it's possible that this could be a first for publishing: Maybe some aspiring translator will pirate it and release it to the internet before American publishers can get to it.
The last figure is the GDP for the Seattle area in 2006:![]()
By Wolfram|Alpha's calculation, this is the GDP for Africa (notice the GDP for South Africa):
By Wolfram|Alpha's calculation, the GDP for the United States of America:![]()
Population of Africa:
Population of the United States of America:
Not in all ways was Phil Gramm wrong.
(image by 3D King)
... thanks to mismanagement by the USAF.
The satellites are overseen by the US Air Force, which has maintained the GPS network since the early 1990s. According to a study by the US government accountability office (GAO), mismanagement and a lack of investment means that some of the crucial GPS satellites could begin to fail as early as next year."It is uncertain whether the Air Force will be able to acquire new satellites in time to maintain current GPS service without interruption," said the report, presented to Congress. "If not, some military operations and some civilian users could be adversely affected."
The report says that Air Force officials have failed to execute the necessary steps to keep the system running smoothly.
At least we'll have a fleet of nearly 200 USAF-procured F-22's, capable of fighting a non-existent Soviet Union.
(The Governmental Accountability Office is on Twitter for those of you who wish a frequent dosing of exposed incompetence.)
KIRO reports on the glass water bowl and sunny sun that conspired to set a Bellevue house on fire.
How did Keyboard Cat get his official "officially funny" designation? By cracking Jon Stewart and Stephen Colbert's shit up.
What will the homophobic conspiracy theorists have to say about this?
The American Civil Liberties Union and the ACLU of Tennessee sued two Tennessee school districts in federal court today, charging the schools are unconstitutionally blocking students from accessing online information about lesbian, gay, bisexual and transgender issues. Metropolitan Nashville Public Schools, Knox County Schools and as many as 105 other school districts in Tennessee use Internet filtering software to block Web sites containing pro-LGBT speech, but not Web sites touting so-called "reparative therapy" and "ex-gay" ministries.
They said that a domestic partnership bill would result in "teaching that gay marriage is normal and healthy in public schools." This formula of sin, God only knows, will result in kidnapping babies from maternity wards and tossing them into Butt Plugs, Bath & Beyond.
Sent yesterday from local actor, writer, and composer John McKenna:
I thought someone should let you know just in case you hadn't heard already, a Seattle theater/comedy patriarch has died. Nellis, creator of Star Drek, founder of Theater on the Rocks, without whom Bald Faced Lie would never have met, died Friday the 15th at 6:30 at Tacoma General Hospital. Practically everyone in the fringe theater community at least knew if not loved him.
I hadn't heard the sad news and am sorry to say I only knew Nellis by reputation.
But thanks for sending, John.
Same last name as the old Seattle Times editorial boss. Via Times spokesperson Jill Mackie:
Ryan Blethen has been named editorial page editor for The Seattle Times, the Northwest’s largest daily newspaper. Blethen, 36, is named to the post vacated by the recent retirement of James Vesely and will assume his new responsibilities immediately.
The rest of the release is in the jump. I don't remember a huge amount about the younger Blethen's work other than that he's been a loud supporter of gay rights, but here's the thing that really struck me: he's 36.
And now in charge of this crew:

Does today's announcement make Ryan Blethen the youngest editorial page editor at any major print daily in the country? Seems like it might. Which, for all the strange family newspaper eccentricities that probably produced the result, is a notable thing.
What the fuck is in your drinking water, Japan? I think the polar bear in a thong is the weirdest thing in this video game, but I'm not sure.
The city is looking for someone to build an ice-skating rink in Occidental Square Park, reports Katie Zemtseff in the DJC:
Ng said the city is not sure what kind of rink will go in the space, which is 80 feet wide by 80 feet long. It could be a pad with real ice on top or it could be an alternative surface with support systems. The city will see who has the best solution for the space, which should fit up to 120 people.Whoever is chosen will pay the costs of operating the rink. They will be responsible for planning, design, permitting, construction, operation, maintenance and removal costs. They can propose a management and business plan for concessions, events and other activities to help defray operating costs. [...]
The rink will operate this fall and winter. Whether it is extended into other years will depend on the results. Ng said it could be an example for the city. “If this is a huge success, I think the next natural progression is to say are there other facilities, other parks that we have that would be a good match?”
First off, hooray! Secondly, we should not settle for an iceless ice-skating rink unless the "alternative surface" is something wonderful. But, as a rule of thumb, watching strangers face-plant onto actual ice is exponentially more satisfying that watching them eat shit an "alternative surface," unless said "alternative surface" is made of tequila or hot dogs. Last, this is so much better than the stupid carousel in Westlake Park.
This lovely Slog tip came from Jesse.
Why, he is the winner of the 1996 Betty Bowen Award and the maker of this, which is entirely wood.
DePosit (more images on his web site here) is an unknown to me, one of those missing links from history—but knowing about his ongoing work enriches the local puzzle of artists doing similarly minded work, from Oscar Tuazon and Eli Hansen to Chris Jordan, Jack Daws, and Dan Webb.
The reason I'm finding out about Henry DePosit now is thanks to a great new publication: the 30-year-anniversary catalog of the Betty Bowen Award. The award has been Seattle Art Museum's greatest gift to single artists for years, and now there's finally a historical document of all the winners (and a list of all the nominees, too), published by Seattle Art Museum and to be released at a free launch party at the museum on Thursday night.
Yay for history!
Here's a photograph of the woman who started it all, Betty Bowen herself, with her pet squirrel skunk (photographed by Mary Randlett, who has been everywhere in Seattle art, all the time—click to enlarge).
AND AS A SIDE NOTE: In search of the artist's page for Oscar Tuazon and Eli Hansen at Howard House in Seattle, where they've been showing, I found nothing. A call to HH let me know that they're no longer represented there, and that, according to Billy Howard, they're simply not interested in Seattle. Really? That is a d-r-a-g.
Charles beat me to posting about the recent whining by the credit card industry. Faced with restrictions on their recent usury, they've decided to try to ruin the credit and extract fees from customers with perfect records of responsibility.
The industry is laboring hard to claim that those who repay their balance each month (during an interest-free grace period, called "deadbeats" by these monsters for their non-fee generating ways) were subsidized by those who carried ongoing balances. Now, with the new credit card bill of rights coming online, revenues are expected to drop from the latter. Thus, fees are needed! Absolutely needed. We must punish those freeloaders, riding on the backs of the poor and destitute. From the NYT article:
“It will be a different business,” said Edward L. Yingling, the chief executive of the American Bankers Association, which has been lobbying Congress for more lenient legislation on behalf of the nation’s biggest banks. “Those that manage their credit well will in some degree subsidize those that have credit problems.”
....
Robert Hammer, an industry consultant [water-carrying industry whore], said... “They aren’t charities. They have shareholders to report to,” he said, referring to banks and credit card companies. “Whatever is left in the model to work from, they will start to maneuver.”
Bullshit. Credit card companies have long made out like bandits on the other side of this sordid business, bullying merchants while blatantly violating anti-trust restrictions. From a review on merchant fees charged by credit card issuers (PDF):
Every time a consumer makes a purchase on a credit card, the merchant is charged a fee (typically 2%—3% of the purchase price, but sometimes as high as 15%) by the credit card network. The level of fee relates to the merchant’s industry and size and, most crucially, the level of rewards (cashback or frequent flier miles, etc.) that come with the consumer’s credit card. As a result, credit card transactions cost merchants, on average, about six times as much as cash transactions and twice as much as check or PIN-debit card transactions. These fees totaled over $40 billion in the United States in 2005.
This practice insures that, contrary to this whining, the credit card industry has been profiting greatly from those who pay of their balance each month, and tend to use reward cards. The credit card companies don't pay for these rewards, the merchant do. Well, what about that interest-free grace period? Who pays for that, financing the month or so of free money the card issuers are trying to eradicate? Net 30 payments. When you swipe your card at a store, the merchant doesn't get paid right away. It takes about a month for the card company to actually pay up. Eliminating the grace period allows the card issuer to double-dip.
Anti-trust, I say? Merchants are totally screwed, and forced into this relationship, by collusion between the credit card companies. From the same review:
(1) Price-Fixing: Merchant restraints constitute a variety of federal and state anti-trust violations. The restraints are contractual arrangements between credit card networks (Visa, MasterCard, American Express, Discover) and their member banks, made with the goal of artificially equalizing the price of all credit card products and the price of competing products (cash, debit, checks). Merchant restraints are a form of price-fixing.(2) Tying: Merchants who accept low cost cards from a network brand are required to accept the high cost products too, even if they wanted to reject them. This creates a form of tying—products cannot be purchased separately, but must be purchased together. Under federal antitrust law, tying is illegal if it is done by a
party with market power. The United States Court of Appeals for the Second Circuit held in 2003 that MasterCard and Visa jointly and separately exercise market power, thus establishing the legal foundation for this violation.(3) Monopolization: By fixing the price of all payment products, consumers use more of the most expensive product (credit cards) than they otherwise would. Thus, credit card market share is artificially and intentionally inflated through an exercise of market power. This is a classic form of monopolization.
So, allow me to call you a WAAAAAAAAAAAAMMMULANCE, credit card companies. What a bunch of whiny losers.
Updated:
Commenter oldart added this point:
And, you don't even mention the most egregious ass-fucking that the banks administer to merchants: who pays the cost of credit card fraud?Answer: NOT THE BANKS or Visa/MC/AMEX. The merchant does. If a merchant takes the card, and it is fraudulent, in spite of receiving authorization at the time of sale, the merchant gets the full cost deducted from his remittance.
Yet, V/MC spend millions of dollars in advertising BRAGGING about how they protect YOU from fraud. Bullshit bullshit bullshit.
Updated 2:
From I Love IPA:
Although I agree with the rest of this post, I wanted to let you know that not all merchants wait a month for their money. Our restaurant sees those funds within 1-2 days.
Here is the trailer for the Guy Ritchie-directed Sherlock Holmes, starring Robert Downey Jr., Jude Law, and Rachel McAdams:
It's interesting that most of the interviews about this movie thus far have claimed that they're even truer to the Holmes books than the old Basil Rathbone movies. I don't recall Holmes getting hit in the nuts in any of Doyle's books, but still: I have to say, this looks like a lot of fun. After Ritchie's last abomination of a film, I didn't think I'd want to see anything by him ever again. But a combination of Downey's charm and Rachel McAdams in sexy old-timey British lingerie has put this at the top of my must-see list.
Where do you find this shit, Lindy West?
KUOW's Marcie Sillman recently asked me to go on a short public art walk with her, to talk about an area of the city that I love and that wouldn't be the way it is without public money for art. (Listen for her piece, a larger look at the kind of public art that just fades into the background—not the kind that sticks out in big sculptures and the like—in the coming weeks.)
I immediately thought of the corner of Yesler and 23rd, a corner that's sort of a sleeper hit both in terms of art and architecture. The 1913-era Douglass-Truth Library, a gem in itself, now has a glassed-in new addition that throws a spotlight on a bunch of art on the interior walls. There's also an incredibly strange private residence just east of the library, on the next plot over. The house is two triangles sitting on the grass facing each other. A husband and wife who want to live close but not that close? One house for people, the other for pets? Whatever it is, it's curious and pretty great.
And then there's Fire Station No. 6: the Art Deco/Moderne building that George Stewart designed in 1931, and the art installed on the transom windows above the bay doors: a lightning-bolt grille, based on the original building design, made of anodized aluminum and blue neon by the artists Ellen Ziegler and Tom Askman in 1987. When the piece lights up at night, I always feel like the building is recharging.
Come to find out the artwork is permanently sited there, and will be sold as part of the fire station, which is a historic landmark—because the city is building a new Fire Station 6 at 2615 S. Jackson St. (nearby).
The firefighters have outgrown the historic building, and the city is already seeking artists for the new station at Jackson Street (details here).
But what's to become of the original Fire Station No. 6?
The city says the new fire station is scheduled to be completed in 2012, and that the firefighters will remain in the current station until the new one is completed.
After that, the building and the artwork together go onto the open market. A class at UW has already been thinking about what it could become: 401.5a.ConceptReview.pdf.
It all makes me want to take a free tour of the place while it's still functioning. On the site before this building, starting in 1894, was another fire house—and in the early days of the 20th century, both horses and streetcars ran up and down both Yesler and 23rd. This building, with its early machine look, is such a part of that history. Parts of it will be protected by landmarks but I'm not sure which parts, or how it will be permitted to change. Expansion was ruled out because it would have tampered with the historic nature of the building. But I can't help but be sad that it will no longer be an actual fire station.
Photo by Fecki