From the mailbag:
To qualify what I'm about to say (which may upset some), let me point out that I have worked security for various nightclubs and events in Seattle off and on for over 12 years. I have also done bodyguard work for Afrika Bambaataa and former U.S. Congresswoman Cynthia McKinney. I also know some of the artists who were performing at Chop Suey that night.Now, to my point: This tragedy could have been prevented.
The majority of club owners, promoters, and artists (with a handful of notable exceptions) still steadily refuse to bear witness and act upon simple steps that I and other nightclub security professionals have advocated for years, including:
1. Proper training of security staff. This cannot be stressed enough.
2. Some amount of investigation of potential safety issues, such as credible threats against guests and staff.
3. Maximizing opportunities to connect with the crowd and the performers on a personal level.
4. Holding firm to club rules and state law regardless, to whom or what; even if the offending party is "with the DJ," is "on the VIP guest list," is "the promoter's girlfriend," or whatever else they may claim.
It is also up to club owners, promoters, performers, and security team leaders to establish clear behavioral expectations for guests that are relatively uniform at every venue in the town.
Problems will continue spiral out of control so long as a "wait and see" attitude prevails. Staff and ownership must be pro-active instead of reactive. It is this pro-activity that will also help minimize negative experiences with law-enforcement and city leaders.
There are also larger societal issues we all need to face, but that's a longer and more complex conversation.
Greg
In this week's Stranger, Jonah Spangenthal-Lee and Dominic Holden look at the facts; Charles Mudede separates the music from the murder; Larry Mizell Jr. addresses the scene; and Mayor Greg Nickels says "Snitchin' Is Bitchin'!"

As someone who's worked security at The Chop in the past, I can tell you one of the very preventalbe problems that made this incident possible lays heavy on the shoulders of performers. (And all musicians here, regardless of genere.)
That backstage door @ Chop is never suppose to opened by anyone other than security or staff. Period. Everyone who has ever played a gig there -- from gangsta rappers to hippie-dippy jam bands -- knows this. (Even if they didn't know before, they were reminded of it by the staff when they loaded-in before the gig.)
But, as Mizell noted, its a convention often ignored by performers -- performers who think that just because they're playing a gig somewhere, that place somehow becomes "their house" for the night.
Listen up: It.Is.Not.Your.House!
Get over it: you are a visitor. And just like a visitor to your house is outta line if he answers your door and lets people you don't know into your home, same holds true for the venues at which you perform. Artists, if you can't get that through you thick heads you've got no one to blame but yourself when you get got.
(And if I was going to be really, really cold, I might even call 29-E's death an instance of natural selection at work. But even I'm not that cold.)
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