Emily White, former editor of The Stranger and former arts and entertainment editor of the Seattle Post-Intelligencer and now the editor of that strange glossy arts magazine City Arts, published by the people who publish the glossy programs distributed in high-end playhouses, has a piece in the new City Arts that's worth your attention. It's called "The Dumbing Down of the Dailies." It's about what happens to a city when the city's arts and culture writers lose their jobs.
It all hangs on the career of Sheila Farr, late of Seattle Times, who is fine and all, but a strange critic to pin the idea of greatness to. And it's a little embarrassing that City Arts doesn't seem to have a copyeditor. Still, White knows what she's talking about, and can really write. On the strange trade-offs of having staff critics replaced by poorly paid freelance critics: "The critic starves on $125 a review; artists and audiences, starved of comprehensive coverage, drift into separate, solipsistic twilights." White gets in a dig at newsrooms operating under "the unexamined, cultlike belief that sports coverage must be preserved." And then White calls Ann Powers, formerly of EMP, now the staff rock critic at the LA Times, who's been having nightmares of losing her job recently, and Powers goes off on a well-put example involving hamburgers:
Just to take it out of the professional realm for a moment, think of it in terms of hamburgers. Would you trust someone's opinion about a hamburger joint if you did not know what kind of food they liked or if they even ate hamburgers? Or would you go to a trusted friend who you knew ate hamburgers all the time?
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