
Claire Cowie's Ghost House (2008); wood, urethane resin, enamel, paper, thread, silk; 30 by 16 by 15 inches
At James Harris. (Gallery site here.)
You could easily miss this hanging sculpture in the back room at James Harris Gallery. It's not part of the panoramic landscape painting (made of 12 paintings) that spans around the walls of the main area of the gallery, and it's not advertised on the web site. But it's new, too, and it's haunting. Inside the house hang the heads of people (and one animal) that Cowie has known who have died. She's painted each face twice, once on each side, each time from memory—so the person being remembered looks sometimes slightly different, and sometimes very different, from one side to the other. With the slightest movement or wind in the room, the heads turn, and you get to see the same face in one way and then another, the varying way they are remembered and translated by Cowie's memory working in tandem with her hand.
Someone told me they found this creepy, all these dangling heads, turning, flashing differently each time around. I see it as a reaffirming way to escape the problem of trying not to let the dead disappear, and yet trying to free them from the fixity of the photographs they're in, knowing they won't appear in any new photographs. I love it.
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