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Trapped in a Time-Share Condo in Hell
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There Will Be Blood
And Violence and Drug Use and Fog in Tommy Smith's New Show
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The Ascension of Mary
Tears, Mirrors, and Flying Furniture in a Play About a Dying Mother
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Friday, February 10, 2012
Theater Now Playing at On the Boards: El pasado es un animal grotesco
Posted by David Schmader on Fri, Feb 10, 2012 at 10:40 AM

- Almudena Crespo
It's the experimental theater piece from Argentina that opened last night, runs through Sunday, and sounds amazing.
From the OTB synopsis:
It’s 1999 in Buenos Aires. Mario, Laura, Pablo, and Vicky are in their mid-twenties and ready for careers, love, and adulthood. Over the next decade, Argentina’s economy will collapse and their lives will take a series of unexpected turns. In this fast-paced, multilayered “mega fiction,” director Mariano Pensotti deftly unfolds the lives of these 4 characters....Mariano Pensotti, a young director and writer based in Argentina, has become one of the most noted experimental directors throughout the world. His unique sets and depictions of life are told with a filmic sensibility honed in years studying cinema at the Dramatic Arts Instituto Universitario Nacional de Artes.
From the recent New York Times review:
The Argentine writer and director Mariano Pensotti sets multiple stories in motion in his smart and smartly staged play “El Pasado Es un Animal Grotesco." And they really are in motion: the circular plywood stage, divided into four compartments, revolves constantly (and slowly — you won’t feel seasick), as episodes from the lives of four characters are acted out. Their stories cinematically unspool and overlap as time moves onward and even occasionally backward....“El Pasado Es un Animal Grotesco” considers the way we talk about our lives, the way they become fictions, and then fictions become our pasts — and how alien that can start to feel.
Full info on the On the Boards shows here.
Wednesday, February 8, 2012
Theater / International Chinese Government Asks City Council Members to Avoid "Heretical" Theater Performance
Posted by Brendan Kiley on Wed, Feb 8, 2012 at 6:26 PM
Conflict of Interest / Theater This Saturday: A Short-Term Extension
Posted by David Schmader on Wed, Feb 8, 2012 at 4:17 PM

Hello! A couple weeks ago I slogged about my new solo play upcoming at Hugo House.
This past weekend brought the final Hugo House performances, which were sold out to the point that a lot of people who wanted to see the show couldn't, so we're doing an encore Hugo House show this Saturday at 8 pm.
Full show info and tickets available here.
Tuesday, February 7, 2012
Booze / Film / Theater Drinking at the Movies
Posted by Brendan Kiley on Tue, Feb 7, 2012 at 3:22 PM
In thrilling news from Olympia, house bill 2558, which would allow adults to buy and drink alcohol at the movies, is getting some amendments:
1. Multiplexes can apply for a license, but only one room can be booze-friendly.
2. The definition of "theater" has been broadened from cinema to: "A place where motion pictures or live musical, dance, artistic, dramatic, literary, or educational performances are shown."
The bill also requires a "minor control plan" to keep children sober, but doesn't specify what that would look like.
(The background to the bill is here—basically, legislators from the Vancouver area introduced it because a renovated movie place down that way wants to get into the brew 'n' view business.)
In other brew 'n' view news: Central Cinema, the Central District's beloved TV room since 2005, recently realized that it was in an awkward legal situation after the Washington State Liquor Control Board rewrote a rule in 2010. The rule change states that if you're a movie theater selling hooch, "no minors would be allowed on the entire premises at all times." Not just when they're serving alcohol—ever.
Kevin Spitzer, who runs Central Cinema, says that would cut at least a third out of his business: The theater has family sing-along events, cartoon programming, children's films, hosts neighborhood parties, serves as a de facto classroom for the Reel Grrls education nonprofit, and lots of other family- and kid-oriented stuff.
Theater Horrifying Entertainment
Posted by Bethany Jean Clement on Tue, Feb 7, 2012 at 2:06 PM
In The Bells at Erickson Theater Off Broadway until the 18th, "Drunks are drinking, the wind is howling, and a successful innkeeper counts his money and watches as his only daughter delicately comes into heat."
Cienna Madrid's review makes it sound irresistible.
Theater There Is Blood
Posted by Bethany Jean Clement on Tue, Feb 7, 2012 at 11:46 AM
...and violence and drug use and fog in Tommy Smith's new show, White Hot, playing through Saturday at West of Lenin.
Anna Minard's review makes it sound pretty much irresistible.
Monday, February 6, 2012
Theater Intiman Meets Its Goal
Posted by Brendan Kiley on Mon, Feb 6, 2012 at 10:06 PM
Last summer, Intiman Theatre fell down after a rocky transition from longtime artistic director Bart Sher and longtime managing director Laura Penn to new artistic director Kate Whoriskey and new managing director Brian Colburn.
After the fall, Intiman decided to hire a new, young artistic director (Andrew Russell) and said if it raised $1 million by February, it'd mount a four-play summer festival with 12 actors in all the roles, repertory style.
February 1 came and went without meeting the goal (the theater had raised around $820,000 by then), so Intiman announced it'd wait until Friday, February 3 to make the $1 million. Then it said it'd wait until a board meeting on Monday to decide what to do.
As of a few hours ago, it has decided what to do. Intiman is going forward with the summer festival, which will include one Shakespeare play, one Ibsen play, one unnamed "American classic," and an unspecified new theatrical something by Dan Savage.
Congratulations, Intiman. We're all curious to see what's next.
Saturday, February 4, 2012
Theater / Dance Tonight, Salt Horse Dances for 12 Hours Straight
Posted by Brendan Kiley on Sat, Feb 4, 2012 at 12:31 PM

- Salt Horse
It can be irritating when artists sell tickets to their own rehearsal/generating processes. But 1) with over 20 musicians and dancers using Washington Hall as a playground, the 12-hour marathon could produce some worthwhile spectacle, and 2) Salt Horse is a pleasantly baffling dance company with a weird, weird imagination. Their Man on the Beach was like stepping through the looking glass, with a whistling teakettle, an enormous sandpiper with human legs, a writhing creature made of black plastic tubing, and a person getting severely beaten by birds with aluminum baseball bats.
Their Titan Arum pushed even further, into an invented mythology with a disturbing queen, lots of fabric, music by Stuart Demptster, and a tiger.
Their pieces are baffling, in part, because they feel so complete and impenetrable in their strangeness. Each one is like an oddly shaped, ornately decorated box that you can admire from the outside and only wonder what it was built to contain. For Salt Horse fans, tonight's 12-hour play—which you can drop in and out of—will be an unusual opportunity to lift the lid and take a peek.
Performers include Corrie Befort, Beth Graczyk, Mark Haim, Angelina Baldoz, Stuart Dempster, Cherdonna (of Cherdonna and Lou), and a bunch of others. Details here.
Friday, February 3, 2012
Housekeeping / Theater A Correction
Posted by Brendan Kiley on Fri, Feb 3, 2012 at 1:43 PM
From the mailbag:
Good Day:
There is a small mention of a theatrical play on the Stranger's website, Corpses Make Poor Dinner Guests, playing over at the Odd Duck Studio on Capital Hill, that reads the following:
"A new company called House of Cards presents their inaugural show, written and 'actor-managed' (is that like a hands-off version of directing?) by David Kulcsar, about a small-town restaurant's brush with fame and death."Since I am David Kulcsar, I am here to point out kindly that "actor managing" is not hands off directing: in truth, it is the jobs of the Director, Lead Actor, and Stage Manager rolled into one delicious roll: and a very difficult roll, I might add.
The "actor manager" was a position in theatre that died out in the late 19th, early 20th century when the "director" and "stage manager" was invented. (it made theater easier and boring to operate.) Currently, the only actor manager that I know of that exists is Kevin Spacey at the Old Vic in England; making me, to current knowledge, the second best actor manager in the known world (a very distant second, I must add).
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