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      <title>The Stranger, Seattle&#39;s Only Newspaper: Slog: Arts</title>
      
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      <pubDate>Sat, 25 May 2013 00:00:01 -0700</pubDate>
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        <item>
    <title>No More Affairs at the City</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/22/no-more-affairs-at-the-city</link>
    <guid isPermaLink="true">http://slog.thestranger.com/slog/archives/2013/05/22/no-more-affairs-at-the-city</guid>

    
    
      <dc:creator>Jen Graves</dc:creator>
    

    
      <description>
        
        &lt;p&gt;What was the Seattle Office of Arts &amp;amp; Cultural Affairs has become &lt;strong&gt;Seattle Office of Arts &amp;amp; Culture&lt;/strong&gt;. I might even argue to remove &quot;Office of,&quot; too. Officiousness begone! (It is also possible that I have been driven to a mad desire for minimalism by lo those many years of &lt;strong&gt;Affairs&lt;/strong&gt;. AbsurD with a capital D.)&lt;/p&gt;
&lt;p&gt;A new logo comes with. It was designed by the Seattle crew &lt;a href=&quot;http://www.wearecivilized.us/&quot;&gt;Civilization&lt;/a&gt;, and it&#39;s this:&lt;br /&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:212px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/1af8/1369183346-oac_logo_med_blue_.jpg&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/1af8/1369183346-oac_logo_med_blue_.jpg&quot; alt=&quot;OAC_logo_med_blue_.jpg&quot; title=&quot;&quot; width=&quot;200&quot; height=&quot;189&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Says the press release:&lt;br /&gt;&lt;blockquote&gt;The new logo features the clean lines of &quot;A &amp;amp; C&quot; for Arts and Culture with an embossed &quot;C&quot; &lt;strong&gt;evoking forward movement&lt;/strong&gt;. The logo is frequently presented at small dimensions on partner-produced collateral, so a mark that is easy to recognize at small scale was essential. Reducing the elements of the previous logo to the basic A &amp;amp; C makes the new logo simple, efficient and elevated.&lt;/blockquote&gt;&lt;br /&gt;Old logo:&lt;br /&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:212px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/a3dd/1369183381-color.jpg&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/a3dd/1369183381-color.jpg&quot; alt=&quot;color.jpg&quot; title=&quot;&quot; width=&quot;200&quot; height=&quot;78&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;There&#39;s a new tagline, too: &quot;&lt;strong&gt;Making Art Work&lt;/strong&gt;.&quot; There was no old tagline.&lt;/p&gt;
&lt;p&gt;It&#39;s all part of there being a new sheriff in town: Randy Engstrom, who took over a few months ago and was recently formalized in the position of director of the Office (where there are no Affairs).&lt;/p&gt;
&lt;p&gt;Says Fidelma McGinn, Seattle Arts Commission co-chair, this is &quot;&lt;strong&gt;a new era for the arts office in our city&lt;/strong&gt;. Seattleites can expect many exciting developments in the future.&quot;&lt;/p&gt;
&lt;p&gt;A new logo does not exactly rise to the level of exciting development, but the new logo is certainly better than the old logo. As you were.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/22/no-more-affairs-at-the-city#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Arts</category>
        
          <category>Visual Art</category>
        
      
    
    

    
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    <pubDate>Wed, 22 May 2013 08:41:18 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Monsoon Season Continues</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/21/monsoon-season-continues</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/4248/1369161580-screen_shot_2013-05-21_at_11.38.22_am.png&quot; alt=&quot;Screen_shot_2013-05-21_at_11.38.22_AM.png&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;200&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Jose A Guzman&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Following her well-earned triumph on &lt;em&gt;RuPaul&#39;s Drag Race&lt;/em&gt;, hometown hero and America&#39;s New Drag Superstar &lt;strong&gt;Jinkx Monsoon&lt;/strong&gt; continues her media blitz.&lt;/p&gt;
&lt;p&gt;Here&#39;s a &lt;a href=&quot;http://www.underwearexpert.com/2013/05/drag-superstar-jinkx-monsoon-interview/&quot;&gt;great interview&lt;/a&gt; with Jinkx from TheUnderwearExpert.com, where she holds forth on her tucking regimen and her favorite member of the &lt;em&gt;RPDG&lt;/em&gt; pit crew, the tattooed-and-mustached Shawn Morales:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;He&amp;#8217;s actually such a sweet guy and has such a good sense of humor. Also, he is of the &lt;em&gt;au naturale&lt;/em&gt; persuasion&amp;#8212;he doesn&amp;#8217;t wear deodorant. So at times &lt;strong&gt;when I was feeling really homesick for Seattle, I would just stand next to him and take it in&lt;/strong&gt; and feel like I was at home for a moment, because he has that kind of Seattle-grunge-funk about him. He was my favorite just for the fact of sense memory purposes!&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;And here&#39;s a &lt;a href=&quot;http://www.thestranger.com/suggests/16833458/the-vaudevillians&quot;&gt;Stranger Suggest&lt;/a&gt; about Jinkx&#39;s upcoming Seattle show &lt;em&gt;The Vaudevillians&lt;/em&gt;&amp;#8212;about two old-timey variety stars who were frozen in an avalanche, have been thawed by global warming, and are trying to sing, dance, and joke their way back into the 21st century&amp;#8212;which will soon be travelling to NYC.&lt;/p&gt;
&lt;p&gt;Finally, here&#39;s a &lt;a href=&quot;https://www.facebook.com/jinkxmonsoonsnl&quot;&gt;Facebook page&lt;/a&gt; devoted to getting Jinkx Monsoon to host &lt;em&gt;Saturday Night Live&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Stay tuned for news of Jinkx&#39;s EGOT and appointment to the Supreme Court.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/21/monsoon-season-continues#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Arts</category>
        
          <category>City</category>
        
      
    
    

    
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        <media:title type="html">Monsoon Season Continues</media:title>
        <media:description></media:description>
        <media:credit>Jose A Guzman</media:credit>
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    <pubDate>Tue, 21 May 2013 12:03:14 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
  </item>
      
        <item>
    <title>Dutch Artist Turns Dead Cat into Remote-Controlled Helicopter</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/20/dutch-artist-turns-dead-cat-into-remote-controlled-helicopter</link>
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      <dc:creator>Bethany Jean Clement</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/5Kslv7l75jQ&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;small&gt;Thanks, Sarah Galvin?!&lt;/small&gt;&lt;/em&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/20/dutch-artist-turns-dead-cat-into-remote-controlled-helicopter#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Animals</category>
        
          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Mon, 20 May 2013 09:09:09 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
  </item>
      
        <item>
    <title>On a Wall in Pioneer Square</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/16/on-a-wall-in-pioneer-square</link>
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      <dc:creator>Anna Minard</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/bde7/1368724398-don_t_rape_them.png&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/bde7/1368724398-don_t_rape_them.png&quot; alt=&quot;don_t_rape_them.png&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;346&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;AM&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;That is a detail of this poster:&lt;br /&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:497px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/488c/1368724636-smurf_tips.png&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/488c/1368724636-smurf_tips.png&quot; alt=&quot;smurf_tips.png&quot; title=&quot;&quot; width=&quot;485&quot; height=&quot;590&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;AM&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Which is a Smurfized, gender-neutral version of this &lt;a href=&quot;http://canyourelate.org/2011/05/24/rape-prevention-tips/&quot;&gt;brilliant list of rape-prevention tips&lt;/a&gt;. &lt;/p&gt;
&lt;p&gt;And to the left of this poster...&lt;/p&gt;
              &lt;p&gt;A lovely raccoon by &lt;a href=&quot;http://cargocollective.com/baso&quot;&gt;Baso Fibonacci&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/f5c7/1368724754-baso_raccoon.png&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/f5c7/1368724754-baso_raccoon.png&quot; alt=&quot;baso_raccoon.png&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;374&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;AM&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/16/on-a-wall-in-pioneer-square#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Crime</category>
        
          <category>Arts</category>
        
      
    
    

    
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        <media:credit>AM</media:credit>
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    <pubDate>Thu, 16 May 2013 10:20:49 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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        <item>
    <title>Today Is the Day to &quot;Give Big&quot;</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/15/today-is-the-day-to-give-big</link>
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      <dc:creator>Brendan Kiley</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Depending on how many Seattle-area nonprofit email lists you&#39;re on, you may have received between &lt;strong&gt;zero and 6 million&lt;/strong&gt; reminders that today is &quot;GiveBIG&quot;&amp;#8212;the day when any money you donate to a nonprofit gets some extra bucks from the fat pockets of the Seattle Foundation.&lt;/p&gt;
&lt;p&gt;It&#39;s a little confusing: Not all nonprofits are eligible (though a jillion of them are on &lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/FindANonprofit.aspx&quot;&gt;the list&lt;/a&gt;), your donations aren&#39;t exactly matched but &quot;stretched,&quot; and there are &quot;Golden Tickets&quot; of extra $1,000 gifts doled out throughout the day.&lt;/p&gt;
&lt;p&gt;The short version: &lt;strong&gt;If you intend to give any money to a Seattle-area nonprofit this year, today is the day to do it.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/FindANonprofit.aspx&quot;&gt;list of registered nonprofits is here.&lt;/a&gt; &lt;/p&gt;
&lt;p&gt;A few clarifying details from the FAQ:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;When does GiveBIG begin and end?&lt;/p&gt;
&lt;p&gt;GiveBIG 2013 is a 24-hour period beginning at midnight and running through midnight, Pacific Daylight Time, on Wednesday, May 15, 2013.&lt;/p&gt;
&lt;p&gt;How does GiveBIG work? &lt;/p&gt;
&lt;p&gt;All donations made through The Seattle Foundation&#39;s website on GiveBIG day will receive a percentage of the matching funds (or &quot;stretch&quot;) pool. This percentage depends on the size of the stretch pool and how much is raised in total donations on GiveBIG day. For example, if the stretch pool is $500,000 and the total amount raised that day is $2,000,000, then the stretch percentage is 25% (or 25 cents on the dollar). In other words, it is a prorated match.&lt;/p&gt;
&lt;p&gt;All donations up to $25,000 per donor, per organization, qualify to receive funds from the GiveBIG stretch pool.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;You can also, if you are so inclined, donate to the &lt;a href=&quot;http://www.thestranger.com/seattle/Special/Genius&quot;&gt;Stranger Genius Awards&lt;/a&gt;&amp;#8212;which will, in turn, dole out money to kick-ass artists, by &lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/Shunpike.aspx&quot;&gt;donating to Shunpike&lt;/a&gt; and mentioning the Stranger Genius Awards in the comments.&lt;/p&gt;
&lt;p&gt;Our editorial staffers&#39; favorite nonprofits are below! (It&#39;s like an office litmus test.)&lt;/p&gt;
              &lt;p&gt;&lt;u&gt;&lt;strong&gt;David Schmader&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/WashingtonStateCASA.aspx&quot;&gt;Washington State CASA&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;u&gt;Brendan Kiley&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/TeenTix.aspx&quot;&gt;TeenTix&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/BookstoPrisoners.aspx&quot;&gt;Books to Prisoners&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/PatGraneyCompany.aspx&quot;&gt;Pat Graney Company&lt;/a&gt; (it&#39;s not just a Genius-level choreographer, it&#39;s a women&#39;s prison-education program as well)&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/OntheBoards.aspx&quot;&gt;On the Boards&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Paul Constant&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/APRIL.aspx&quot;&gt;The APRIL Festival&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/CopperCanyonPress.aspx&quot;&gt;Copper Canyon Press&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/JackStrawFoundation.aspx&quot;&gt;Jack Straw Foundation&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/RichardHugoHouse.aspx?bv=nposearch&quot;&gt;Richard Hugo House&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Bethany Jean Clement&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/DowntownEmergencyServiceCenter.aspx&quot;&gt;Downtown Emergency Service Center&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/Childhaven.aspx&quot;&gt;Childhaven&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Anna Minard&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/GotGreen.aspx&quot;&gt;Got Green&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/SeattleJazzED.aspx&quot;&gt;JazzED&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/TownHallAssociation.aspx&quot;&gt;Town Hall&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Kelly O&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/ReelGrrls.aspx&quot;&gt;Reel Grrls&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Emily Nokes&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/PlannedParenthoodoftheGreatNorthwest.aspx&quot;&gt;Planned Parenthood&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/ProgressiveAnimalWelfareSociety.aspx?bv=nposearch&quot;&gt;PAWS&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/RainCityRockCampforGirls.aspx&quot;&gt;Rain City Rock Camp for Girls&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Charles Mudede&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/SIFF.aspx&quot;&gt;Seattle International Film Festival&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/NorthwestFilmForum.aspx&quot;&gt;Northwest Film Forum&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Christopher Frizzelle&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/826Seattle.aspx&quot;&gt;826 Seattle&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Katie Allison&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/BigBrothersBigSistersofPugetSound.aspx&quot;&gt;Big Brothers Big Sisters&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/AnimalTalkRescue.aspx&quot;&gt;Animal Talk Rescue&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Dave Segal&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/FindANonprofit.aspx&quot;&gt;Hollow Earth Radio&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/KBCS913CommunityRadio.aspx&quot;&gt;91.3 KBCS&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Ansel Herz&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/SeattleYoungPeoplesProject.aspx&quot;&gt;Seattle Young People&#39;s Project&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/SocialJusticeFundNorthwest.aspx&quot;&gt;Social Justice Fund Northwest&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;strong&gt;Gillian Anderson&lt;/strong&gt;&lt;/u&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/SeattleTilth.aspx&quot;&gt;Seattle Tilth&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/ProgressiveAnimalWelfareSociety.aspx?bv=nposearch&quot;&gt;Progressive Animal Welfare Society&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/KUOWPugetSoundPublicRadio.aspx&quot;&gt;KUOW&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.seattlefoundation.org/npos/Pages/CountryDoctor.aspx&quot;&gt;Country Doctor&lt;/a&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/15/today-is-the-day-to-give-big#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Wed, 15 May 2013 12:21:54 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>A Double-Dog Dare for Kelly O</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/06/a-double-dog-dare-for-kelly-o</link>
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      <dc:creator>Emily Nokes</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://lineout.thestranger.com/lineout/archives/2013/05/06/kelly-o-is-my-new-favorite-artist?cb=0a27c5599c1f1185722adbdae8338b36&quot;&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/07b5/1367540203-musiclead_kellyo-570.jpg&quot; alt=&quot;THAT HAIR.&quot; title=&quot;THAT HAIR. &quot; width=&quot;500&quot; height=&quot;332&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O &lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;THAT HAIR. &lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Our resident &lt;strong&gt;#1 Slayer fan&lt;/strong&gt;, Kelly O, drew those smokin&#39; hot pencil drawings back in high school. Kerry King and Tom Araya look positively babely... but where is the belated Jeff Hanneman? &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;We must convince Kelly to draw Jeff Hanneman&lt;/strong&gt;&amp;#8212;shading and all&amp;#8212;to properly commemorate the fallen shredder! &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://lineout.thestranger.com/lineout/archives/2013/05/06/kelly-o-is-my-new-favorite-artist?cb=0a27c5599c1f1185722adbdae8338b36&quot;&gt;Keep reading &gt;&gt;&lt;/a&gt;&lt;/p&gt;
        
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    <pubDate>Mon, 06 May 2013 15:17:06 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Cutting Remarks</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/02/cutting-remarks</link>
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      <dc:creator>Dan Savage</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;500&quot; height=&quot;281&quot; src=&quot;http://www.youtube.com/embed/_OHUaU_YaIw&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;A &quot;Savage Love&quot; reader with &lt;a href=&quot;http://en.wikipedia.org/wiki/Phimosis&quot;&gt;phimosis&lt;/a&gt; recently wrote and &lt;a href=&quot;http://www.thestranger.com/seattle/SavageLove?oid=16511673&quot;&gt;asked for advice&lt;/a&gt;. Dr. King, my guest expert, suggested circumcision as one possible fix. Toby Butterfield also suffered from phimosis and wound up getting circumcised. Butterfield told the story of his circumcision&amp;#8212;and his first post-phimosis orgasm&amp;#8212;at a recent installment of Portland&#39;s &lt;a href=&quot;http://mysteryboxshow.com/&quot;&gt;Mystery Box Show&lt;/a&gt;, a performance series dedicated to stories about sex.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/02/cutting-remarks#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 02 May 2013 09:03:00 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Posthumanism Today: The Immortality Machines</title>
    <link>http://slog.thestranger.com/slog/archives/2013/05/02/posthumanism-today-the-immortality-machine</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;I&#39;m mesmerized...&lt;br /&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe src=&quot;http://player.vimeo.com/video/41160704&quot; width=&quot;500&quot; height=&quot;281&quot; frameborder=&quot;0&quot; webkitAllowFullScreen mozallowfullscreen allowFullScreen&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;br /&gt;It&#39;s an installation by Cohen Van Balen, a London-based artist. In the everyday world, each machine connects with some vital part of the human life system and history. In the installation, the artist connected the machines to support not humans &lt;a href=&quot;http://butwhatisreality.tumblr.com/post/41515428533/blackholedot-the-immortal-by-cohen-van-balen&quot;&gt;but themselves&lt;/a&gt;... &lt;br /&gt;&lt;blockquote&gt;&amp;#8220;The Immortal investigates human dependence on electronics, the desire to make machines replicate organisms and our perception of anatomy as reflected by biomedical engineering.&lt;br /&gt;A web of tubes and electric cords are interwoven in closed circuits through a Heart-Lung Machine, Dialysis Machine, an Infant Incubator, a Mechanical Ventilator and an Intraoperative Cell Salvage Machine. The organ replacement machines operate in orchestrated loops, keeping each other alive through circulation of electrical impulses, oxygen and artificial blood.&amp;#8221;&lt;/blockquote&gt; The looping of the fluids, the rise and collapse of the balloon, the process whirring of the wheels&amp;#8212;this is a real imitation of life.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/05/02/posthumanism-today-the-immortality-machine#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 02 May 2013 07:57:28 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Calling All Galleries, Theaters, Bookstores, Jazz Venues, Etc.! Submit Your Summer Arts Events for A&amp;P! Deadline Tomorrow!</title>
    <link>http://slog.thestranger.com/slog/archives/2013/04/25/do-you-have-art-youre-showing-performing-etc-this-summer</link>
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      <dc:creator>Bethany Jean Clement</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageRight&quot; style=&quot;width:232px;&quot;&gt;&lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/2b15/1365798850-ap-cover-issue-5.jpg&quot; alt=&quot;ap-cover-issue-5.jpg&quot; title=&quot;&quot; width=&quot;220&quot; height=&quot;292&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Moved up again as a final reminder: &lt;a href=&quot;mailto:calendar@seattleaandp.com&quot;&gt;Send us your summer arts event info&lt;/a&gt;&amp;#8212;the &lt;strong&gt;deadline is tomorrow&lt;/strong&gt;!&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;A&amp;P&lt;/a&gt;&lt;/em&gt;: It stands for Art &amp;amp; Performance, it&#39;s &lt;strong&gt;Seattle&#39;s Only Arts Magazine&amp;#8482;&lt;/strong&gt;, and the next issue comes out on June 5.&lt;/p&gt;
&lt;p&gt;If you didn&#39;t save a copy of the spring &lt;em&gt;A&amp;P&lt;/em&gt;, they&#39;re still out in special boxes on the street and in galleries and places like Vito&#39;s. And look: &lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;&lt;em&gt;A&amp;P&lt;/em&gt; is all here online&lt;/a&gt;, including calendars of what you should NOT be missing in Seattle arts RIGHT NOW. If you want to page through &lt;a href=&quot;http://etypeservices.com/SWF/LocalUser/Seattle1//Magazine23678/Full/index.aspx?id=23678&quot;&gt;a PDF of the whole issue&lt;/a&gt; as it appears in print, you can do that too.&lt;/p&gt;
&lt;p&gt;And if you&#39;re &lt;strong&gt;an artist or performer or arts organization or bookstore or whatever that would like your summer event(s) listed&lt;/strong&gt; in the next &lt;em&gt;A&amp;P&lt;/em&gt;, info for events from June 5 through September 10 is due to us by end of day tomorrow, May 1, at &lt;a href=&quot;mailto:calendar@seattleaandp.com&quot;&gt;calendar@seattleaandp.com&lt;/a&gt;. Send it on over!&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/04/25/do-you-have-art-youre-showing-performing-etc-this-summer#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 30 Apr 2013 07:35:37 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>This Week in Loose Lips: Zines, Taxidermy, and Q&amp;A Etiquette</title>
    <link>http://slog.thestranger.com/slog/archives/2013/04/25/this-week-in-loose-lips-zines-taxidermy-and-qanda-etiquette</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Among the delights in this week&#39;s &lt;a href=&quot;http://www.thestranger.com/seattle/loose-lips/Content?oid=16574696&quot;&gt;Loose Lips&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&lt;br /&gt;&amp;#8226; Performed last weekend at On the Boards, &lt;strong&gt;KT Niehoff&#39;s &lt;em&gt;Collision Theory&lt;/em&gt;&lt;/strong&gt; was touchy-feely dance/theater that insisted on extended audience interaction and built to an explicitly conveyed moral about the value of communicating our stories. Which makes it all the stranger that, during &lt;strong&gt;Friday&#39;s post-play discussion with KUOW&#39;s Marcie Sillman&lt;/strong&gt;, Niehoff visibly bristled at benign question after benign question, a number of which she refused to answer. Cheers for Sillman&#39;s professionalism, jeers for hippie-dippy dance theater with a sour core.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&amp;#8226; Sunday&#39;s meeting to determine the future of the &lt;strong&gt;Zine Archive and Publishing Project&lt;/strong&gt; went well, if a little slowly. The group of 50 or so concerned citizens broke out into three discussion groups based on ZAPP&#39;s current responsibilities: archiving, community outreach, and event programming. Nothing concrete was determined, but people took on tasks. The next meeting will be in May; keep an eye on &lt;a href=&quot;http://www.thestranger.com/seattle/EventSearch?eventSection=26455&quot;&gt;&lt;em&gt;The Stranger&lt;/em&gt;&#39;s readings calendar&lt;/a&gt; for details.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&amp;#8226; In the textile manufacturing plant that&#39;s now the artists live-work space the Bemis Building, there are &lt;strong&gt;30 gorgeous, light-filled live-work lofts&lt;/strong&gt;, and they have an open house twice a year. The event this past weekend featured resident and visiting artists. The standout has to be Vic DeLeon&#39;s taxidermy-and-other-preserved-living-things museum. Contact the Bemis and feast your eyes on a &lt;strong&gt;freeze-dried human heart&lt;/strong&gt; and a taxidermied rat posed like the velociraptors in Jurassic Park.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Read the &lt;a href=&quot;http://www.thestranger.com/seattle/loose-lips/Content?oid=16574696&quot;&gt;whole thing here&lt;/a&gt;.&lt;/p&gt;
        
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    <pubDate>Thu, 25 Apr 2013 10:46:58 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Summer Issue of A&amp;P Approaches!</title>
    <link>http://slog.thestranger.com/slog/archives/2013/04/12/the-summer-issue-of-aandp-approaches</link>
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      <dc:creator>Bethany Jean Clement</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageRight&quot; style=&quot;width:232px;&quot;&gt;&lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/2b15/1365798850-ap-cover-issue-5.jpg&quot; alt=&quot;ap-cover-issue-5.jpg&quot; title=&quot;&quot; width=&quot;220&quot; height=&quot;292&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;A&amp;P&lt;/a&gt;&lt;/em&gt;: It stands for Art &amp;amp; Performance, it&#39;s &lt;strong&gt;Seattle&#39;s Only Arts Magazine&amp;#8482;&lt;/strong&gt;, and &lt;em&gt;The Stranger&lt;/em&gt; is putting out the next issue on June 5&amp;#8212;one that will tell you everything you need to enjoy this summer to the utmost, artwise. Plus, a full calendar of summer festivals.&lt;/p&gt;
&lt;p&gt;The summer &lt;em&gt;A&amp;P&lt;/em&gt; will also contain profiles of the Most Fascinating People in Seattle Arts Right Now&amp;#8482;, aka &lt;a href=&quot;thestranger.com/genius&quot;&gt;the 2013 Genius Award finalists&lt;/a&gt;. (You know&amp;#8212;those awards where every fall since 2003, &lt;em&gt;The Stranger&lt;/em&gt; has given a check for $5,000 and an obscene amount of attention to five artists in five disciplines. Also, cake&amp;#8212;winners are notified via cake.)&lt;/p&gt;
&lt;p&gt;If you didn&#39;t save a copy of the spring &lt;em&gt;A&amp;P&lt;/em&gt;, they&#39;re still out in special boxes on the street and in galleries and places like Vito&#39;s (which hosts great live jazz, as noted in Charles Mudede&#39;s &lt;a href=&quot;http://www.thestranger.com/seattle/some-of-that-jazz/Content?oid=16162395&quot;&gt;&lt;em&gt;A&amp;P&lt;/em&gt; jazz calendar&lt;/a&gt;). And look: &lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;It&#39;s all here online for you&lt;/a&gt;, including ongoing calendars of what you should NOT be missing in Seattle arts RIGHT NOW. If you want to page through a PDF of the whole issue as it appeared in print, &lt;a href=&quot;http://etypeservices.com/SWF/LocalUser/Seattle1//Magazine23678/Full/index.aspx?id=23678&quot;&gt;you can do that too.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Aaaaannnnddd, speaking of calendars, if you&#39;re &lt;strong&gt;a performer or arts organization that would like your summer events listed&lt;/strong&gt; in the next &lt;em&gt;A&amp;P&lt;/em&gt;, info for events from June 5 through September 10 is due to us by May 1 at &lt;a href=&quot;mailto:calendar@seattleaandp.com&quot;&gt;calendar@seattleaandp.com&lt;/a&gt;. Send it on over!&lt;/p&gt;
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          <category>Arts</category>
        
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    <pubDate>Fri, 12 Apr 2013 14:03:38 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Monday Morning Olds</title>
    <link>http://slog.thestranger.com/slog/archives/2013/04/01/the-monday-morning-olds</link>
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      <dc:creator>Brendan Kiley</dc:creator>
    

    
      <description>
        
        &lt;p&gt;I don&#39;t know about you, but I woke up to this gray morning with an aggressive disinterest in anything happening now.&lt;/p&gt;
&lt;p&gt;That mood seems to strike more and more often, and it&#39;s a terrible one for someone who&#39;s supposed to care deeply about current issues, articles, blog posts, and tweets for a living. When that mood strikes I can&#39;t bring myself to care about the news or the latest tech or song or whatever nuisance is flitting around like an overvalued mayfly.&lt;/p&gt;
&lt;p&gt;Nothing could be more boring, when that mood strikes, than the present. Which must mean I&#39;m getting old.&lt;/p&gt;
&lt;p&gt;If you woke up in a similar mood, please enjoy &lt;a href=&quot;http://post.thestranger.com/seattle/Blogs/Admin/Post?mode=entry&amp;blogid=21233&quot;&gt;this transcribed (with mistakes!) issue of &lt;em&gt;7 Arts&lt;/em&gt; from 1955.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;It has an article on Hollywood by Dorothy Parker:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;The actors... they have an awfully good time. They keep giving  one another prizes and they have all this. The writers I think have a fairly tough time, except I didn&#39;t... You used to get an awful lot of money. Ladies and gentlemen, there was one time I was so rich I thought that detective stories were wonderful.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;And one by choreographer &lt;a href=&quot;http://www.thestranger.com/seattle/remembering-merce/Content?oid=1974160&quot;&gt;Merce Cunningham&lt;/a&gt; in which he begins to articulate what will become his still-difficult-to-articulate legacy:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;There has been a shift of emphasis in the practise of the arts of painting, music and dancing during the  last few years. There are no labels yet but there are ideas. These ideas seem primarily concerned with something being exactly what it is in its time and place, and not in its having actual or symbolic reference to other things. A thing is just that thing.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;And one by famously conservative genius Robert H. Hutchins of the University of Chicago about the dangers of our education and legal systems falling prey to anti-radical (communist, anarchist) hysteria:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;The low point came in the demand of an Indiana textbook commissioner that Robin Hood and all books referring to Quakers be removed from the schools because both Robin Hood and the Quakers follow the Communist Party line. Or perhaps an even lower point was reached in the reference of a Senator of the United States to our oldest university as a &quot;sanctuary for communists and a smelly mess. What the Senator was objecting to, by the way, was that Harvard had failed to fire a professor who had availed himself of rights guaranteed him by the Constitution the Senator had sworn to defend. &lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;There are also items by Max Brod, Theodore Roetke, and an essay by Gilbert Highet on kitsch that I haven&#39;t read yet this morning, but a friend urgently recommends to me with this quote: &quot;The kitsch writer is always sincere; he really means to say something important; he has a lofty  spiritual message to bring to an unawakened world, or else he has had a powerful experience which he must communicate to others. And then, he chooses the  wrong form.&quot;&lt;/p&gt;
&lt;p&gt;Perhaps this friend of mine is trying to tell me something.&lt;/p&gt;
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          <category>Arts</category>
        
          <category>History</category>
        
          <category>Theater</category>
        
      
    
    

    
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    <pubDate>Mon, 01 Apr 2013 09:34:19 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Springtime for Drag Queens</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/26/springtime-for-drag-queens</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;First, please enjoy the poster for &lt;a href=&quot;http://www.thestranger.com/seattle/grady-west/Content?oid=14839049&quot;&gt;certified Stranger Genius&lt;/a&gt; &lt;strong&gt;Dina Martina&lt;/strong&gt;&#39;s forthcoming show at Re-bar:&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:312px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/1d33/1364330360-screen_shot_2013-03-26_at_1.29.36_pm.jpg&quot; alt=&quot;Screen_shot_2013-03-26_at_1.29.36_PM.jpg&quot; title=&quot;&quot; width=&quot;300&quot; height=&quot;416&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Second, please join me in getting exciting for the also-forthcoming &lt;a href=&quot;http://www.thestranger.com/images/blogimages/2013/03/26/1364330422-screen_shot_2013-03-26_at_11.31.07_am.png&quot;&gt;Re-bar show starring Tammie Brown.&lt;/a&gt;&lt;/p&gt;
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    <pubDate>Tue, 26 Mar 2013 13:40:51 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Inclusion Versus Exclusion Among Creative Types</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/19/inclusion-versus-exclusion-among-creative-types</link>
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      <dc:creator>Jen Graves</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;strong&gt;John Boylan&lt;/strong&gt;, Seattle&#39;s most generous and truly best conversationalist (we are so lucky that these go hand in hand), is having another one of his open public discussions tonight at &lt;a href=&quot;http://www.vermillionseattle.com/&quot;&gt;Vermillion&lt;/a&gt;. It runs &lt;strong&gt;from 7:30 to 9:30&lt;/strong&gt; and the theme this time is &lt;strong&gt;&quot;Inclusion/Exclusion.&quot;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Even if you can&#39;t attend, reading his advance exploration of the theme is worth your time. It includes &lt;strong&gt;high-school outcasts, TED versus BIL talks, holiday dinner invitation lists&lt;/strong&gt;, the fashion world, the gender of grunge, and Charles Krafft. You can &lt;strong&gt;get on his email list&lt;/strong&gt; by &lt;a href=&quot;mailto:John Boylan &lt;boylanconversations@gmail.com&gt;&quot;&gt;just asking him&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;The Story&lt;/p&gt;
&lt;p&gt;I&amp;#8217;ve been thinking lately about inclusion and exclusion. These opposing concepts tend to intertwine, and they often lie in tandem at the center of the ways in which we create our societies. They are at the root of tribalism: members of my tribe, clan, gang, platoon, ethnic group, or football team are better than those who are not members of my tribe, clan, and so forth. And they are at the core of the dynamics of adolescence: in youth, too often one is either part of the school in-crowd or the various groups who cluster around the in-crowd, or one is an outcast. Or in the case of a great true dork, even joining the outcasts is unattainable.&lt;/p&gt;
&lt;p&gt;Exclusion and inclusion also form the root of how we build concepts of class, and of course of race, especially in terms of exclusion from place and from opportunity. And they are integral to how we build a sense of privilege. They are how we build deep friendships and exercise compassion, and how we inflict pain. They are how some of us live in exclusive gated communities, while others are exiled to a life on the street.&lt;/p&gt;
&lt;p&gt;I&amp;#8217;ve been wondering what would be the qualitative differences&amp;#8212;and parallels&amp;#8212;between these two statements: the first that old saw of white separatists, made all the more vicious for its ostensible innocuousness, &amp;#8220;I have nothing against black people. I just don&amp;#8217;t want to have to live next to them.&amp;#8221; And the following: &amp;#8220;Let&amp;#8217;s not invite Betty to Thanksgiving dinner this year. She talks so much, and she&amp;#8217;s bound to get into an argument with your uncle.&amp;#8221; Is there a parallel?&lt;/p&gt;
&lt;p&gt;In the arts, discussions of inclusion and exclusion seem to be everywhere these days. I&amp;#8217;ve sometimes heard it said that large parts of the visual arts scene in Seattle are cliquish. I can easily see where that perception might come from, but I don&amp;#8217;t think it&amp;#8217;s true. To the extent that there is a certain incestuousness here, I think that it comes from laziness more than anything else.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;The rest is on the jump.&lt;/p&gt;
              &lt;blockquote&gt;&lt;p&gt;Instances of the discussion pop up all over. The lovely musical play currently at ACT, &amp;#8220;These Streets,&amp;#8221; is in part an attempt to remedy the exclusion of women musicians from the history of Seattle grunge. (http://www.acttheatre.org/Tickets/OnStage/TheseStreets). Anna Telcs reports that her ongoing project &amp;#8220;The Dowsing&amp;#8221; is in part a response to the exclusiveness&amp;#8212;and exclusion&amp;#8212;of contemporary fashion (http://www.henryart.org/events/show/723 and http://www.vanguardseattle.com/2013/01/28/anna-rose-telcs-and-the-art-of-invention/).&lt;/p&gt;
&lt;p&gt;Or listening to Karen Finneyfrock read from her new young adult novel, &amp;#8220;The Sweet Revenge of Celia Door,&amp;#8221; at Hugo House a couple of weeks ago, I was struck by the ways in which Celia negotiates that pure pain of being alone, a high school outcast. And by the fascinating juxtaposition of that isolation with the outpouring of inclusion that bathed Finneyfrock that evening. She was surrounded by friends, colleagues, and fans who obviously love her very much (http://www.karenfinneyfrock.com/).&lt;/p&gt;
&lt;p&gt;Or looking at the offerings from the amazing and peripatetic White Privilege Conference, which will descend on Seattle this April (http://www.whiteprivilegeconference.com/). Privilege, especially when it is built so seamlessly into the fabric of everyday life, is all about insidious forms of inclusion and exclusion. If we seek justice, to what extent does injustice stem from a lack of access, access to just about everything.&lt;/p&gt;
&lt;p&gt;And I&amp;#8217;ve been thinking about the many recent conversations about Charles Krafft. As laid out in Jen Graves&amp;#8217;s well-written and well-researched Stranger article (http://www.thestranger.com/seattle/charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth/Content?oid=15995245) and Krafft&amp;#8217;s interview on a podcast (http://thewhitenetwork.com/2012/07/28/should-we-leave-the-holocaust-alone/), Krafft, a veteran artist who has long included Nazi imagery in his work, identifies as a &amp;#8220;White Nationalist&amp;#8221; and sees the Holocaust as &amp;#8220;a myth that is being used to perpetuate multiculturalism and globalism.&amp;#8221; He feels that in the United States &amp;#8220;we are living under a Marxist tyranny.&amp;#8221; The reaction to the Graves article has been intense, spawning a number of articles, discussion threads, and Facebook posts. Some conversations devolve into an absurd back and forth as to how many Jews were killed in World War II. Others involve thoughtful discourse, while still others seem to be dialog from bad theater. And meanwhile, the discussion has spread across the continent, as in http://hyperallergic.com/65557/what-do-you-do-with-white-nationalist-art-once-the-ironys-gone/ and http://www.theglobeandmail.com/arts/art-and-architecture/nazi-themed-artwork-monstrous-art-or-art-about-a-monster/article9132957/.&lt;/p&gt;
&lt;p&gt;In Seattle, the conversation among artists has been colored by the fact that a lot of people have genuinely liked Charlie over the years, liked him for his perverseness, a deep sense of the weird, and his role as a provocateur. For now, the surge seems to be toward banishing him and his artwork from polite society, or at least polite artistic society, if that&amp;#8217;s not too much an oxymoron, excluding the excluder. But I&amp;#8217;m not sure what that exclusion means; I think that Krafft exiled himself some time ago.&lt;/p&gt;
&lt;p&gt;Or elsewhere, on a lighter note: I&amp;#8217;ve just missed another year of the fabulous BIL Conference, which happened last week in Los Angeles. BIL is a low-budget, very-low-cost, heavily participatory, and volunteer-run conference of ideas (http://bilconference.com/). It reminds me a little of the much smaller Smoke Farm Symposium (http://www.rubiconseattle.org/2011/01/symposium/). BIL is in part an inclusive response to the elitism of the TED conferences. The BIL organizers are proud that the cost of putting on an entire 600-person BIL conference is less than the cost of two or three tickets to TED. TED recordings are plentiful. But with tickets at anywhere from $3,500 to $7,000, actual attendance to a TED event has long been primarily reserved for wealthy jetsetters. BIL goes the other direction. Oh, and as for what the name means, think BIL and TED&amp;#8230;.&lt;/p&gt;
&lt;p&gt;Finally, I haven&amp;#8217;t put together any formal guests for this conversation. As a wise friend pointed out, having invited guests to a conversation about inclusion and exclusion doesn&amp;#8217;t make a lot of sense. As usual, you&amp;#8217;re the experts.&lt;/p&gt;
&lt;p&gt;Come and talk, or come and listen. Or both.&lt;/p&gt;&lt;/blockquote&gt;
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          <category>Visual Art</category>
        
      
    
    

    
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    <pubDate>Tue, 19 Mar 2013 16:25:33 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Attention Seattle Artists Looking for a Space in Which to Be a Seattle Artist</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/13/attention-seattle-artists-looking-for-a-space-in-which-to-be-a-seattle-artist</link>
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      <dc:creator>David Schmader</dc:creator>
    

    
      <description>
        
        &lt;p&gt;To quote the succinct headline of their webpage, &lt;a href=&quot;http://storefrontsseattle.com/about/&quot;&gt;Storefronts Seattle&lt;/a&gt; is the program that &lt;strong&gt;puts art and artists into empty storefronts&lt;/strong&gt;. And their next deadline for applications is &lt;strong&gt;this Sunday, March 17&lt;/strong&gt;. Full info &lt;a href=&quot;http://storefrontsseattle.com/opportunities/&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/13/attention-seattle-artists-looking-for-a-space-in-which-to-be-a-seattle-artist#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 13 Mar 2013 12:45:17 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>&quot;Un article de The Stranger&quot;</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/11/un-article-de-the-stranger</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Jen Graves&#39; article, &lt;a href=&quot;http://www.thestranger.com/seattle/charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth/Content?oid=15995245&quot;&gt;Charles Krafft Is a White Nationalist Who Believes the Holocaust Is a Deliberately Exaggerated Myth&lt;/a&gt;, has crossed &lt;a href=&quot;http://www.rue89.com/rue89-culture/2013/03/09/hitler-sur-une-theiere-de-la-provoc-non-du-revisionnisme-240379&quot;&gt;the Atlantic&lt;/a&gt;... &lt;br /&gt;&lt;blockquote&gt;La journaliste Jen Graves a retrouv&amp;#233; un podcast de juillet 2012 sur un site appel&amp;#233; The White Network &amp;#8211; baseline : &amp;#171; Des Blancs parlent aux Blancs des int&amp;#233;r&amp;#234;ts blancs. &amp;#187; Krafft y est interview&amp;#233;.... &lt;/blockquote&gt; All you need is English, which is a form of French, to understand that passage. You will, however, need more than English to understand many of the comments beneath the post.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/11/un-article-de-the-stranger#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Mon, 11 Mar 2013 09:00:57 -0700</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Friday Photo Fun: Stranger Photo Retrospective At Elliott Bay Books Cafe Gallery</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/08/friday-photo-fun-stranger-photo-retrospective-at-elliott-bay-books-cafe-gallery</link>
    <guid isPermaLink="true">http://slog.thestranger.com/slog/archives/2013/03/08/friday-photo-fun-stranger-photo-retrospective-at-elliott-bay-books-cafe-gallery</guid>

    
    
      <dc:creator>Kelly O</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Maybe you remember some of these photographs from the pages, and the covers, of past issues of &lt;em&gt;The Stranger&lt;/em&gt;, taken by yours truly? They are framed and hanging (and for sale) at the Elliott Bay Cafe through the weekend. Forgive the shameless self promotion, but do check &#39;em out, &lt;a href=&quot;http://www.elliottbaybook.com/&quot;&gt;if you&#39;re at Elliott Bay&lt;/a&gt;, browsing for that new book this weekend...&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/9df9/1362792110-13.jpg&quot; alt=&quot;Emerald Cup Bodybuilding Expo&quot; title=&quot;Emerald Cup Bodybuilding Expo&quot; width=&quot;500&quot; height=&quot;684&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Emerald Cup Bodybuilding Expo&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
              &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/b103/1362792237-18.jpg&quot; alt=&quot;Cafe Racer&quot; title=&quot;Cafe Racer&quot; width=&quot;500&quot; height=&quot;362&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Cafe Racer&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/9951/1362792291-12.jpg&quot; alt=&quot;I forgot who this is... Just kidding, its Macklemore&quot; title=&quot;I forgot who this is... Just kidding, its Macklemore&quot; width=&quot;500&quot; height=&quot;693&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;I forgot who this is... Just kidding, it&#39;s Macklemore&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/images/blogimages/2013/03/08/1362792340-03.jpg&quot; alt=&quot;Drunk of the Year!&quot; title=&quot;Drunk of the Year!&quot; width=&quot;500&quot; height=&quot;349&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Drunk of the Year!&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/images/blogimages/2013/03/08/1362792380-02.jpg&quot; alt=&quot;Handicap Pimp&quot; title=&quot;Handicap Pimp&quot; width=&quot;500&quot; height=&quot;352&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Handicap Pimp&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/images/blogimages/2013/03/08/1362792440-08.jpg&quot; alt=&quot;Rainbow Riot&quot; title=&quot;Rainbow Riot&quot; width=&quot;500&quot; height=&quot;701&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Rainbow Riot&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/images/blogimages/2013/03/08/1362792482-01.jpg&quot; alt=&quot;I scream&quot; title=&quot;I scream&quot; width=&quot;500&quot; height=&quot;385&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;I scream&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/images/blogimages/2013/03/08/1362792564-05.jpg&quot; alt=&quot;Oh, Canada&quot; title=&quot;Oh, Canada&quot; width=&quot;500&quot; height=&quot;682&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Oh, Canada&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/08/friday-photo-fun-stranger-photo-retrospective-at-elliott-bay-books-cafe-gallery#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
      &lt;p&gt;[ &lt;a href=&quot;http://www.thestranger.com/seattle/Rss.xml?oid=16201518&amp;amp;id=comments&quot;&gt;Subscribe to the comments on this story&lt;/a&gt; ]&lt;/p&gt;
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      <media:content
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        <media:title type="html">Friday Photo Fun: &lt;em&gt;Stranger&lt;/em&gt; Photo Retrospective At Elliott Bay Books Cafe Gallery</media:title>
        <media:description>Emerald Cup Bodybuilding Expo</media:description>
        <media:credit>Kelly O</media:credit>
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    <pubDate>Fri, 08 Mar 2013 17:25:14 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>A&amp;P Animation: Drew Christie Draws Guns</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/08/aandp-animation-drew-christie-draws-guns</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageRight&quot; style=&quot;width:232px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/8f33/1362601985-animation-click.jpg&quot; alt=&quot;Drawings by Drew Christie from his work in progress.&quot; title=&quot;Drawings by Drew Christie from his work in progress.&quot; width=&quot;220&quot; height=&quot;339&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Drawings by Drew Christie from his work in progress.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;Drew Christie hates guns. He didn&#39;t grow up around them, he doesn&#39;t understand why so many people love them, and he doesn&#39;t want them in his house. Guns just kill people. That&#39;s what they do best. And if you own one, it&#39;s more likely to harm you or someone you love than protect you or someone you love from some burglar. Christie (beer in one hand, sketchbook in another, sun in the sky) was saying these things to me as we sat on the porch of his Central District home. The house is yellow and huge, and it was first owned in the old times by a tobacco merchant. In the 1960s, it became a home for nuns. Now it&#39;s where he sleeps, eats, and does art.&lt;/p&gt;
&lt;p&gt;But who exactly is Christie? He is a local filmmaker and animator whose work appears regularly in the &lt;em&gt;New York Times&lt;/em&gt;&#39; Op-Docs series. A short film of his, &lt;em&gt;Song of the Spindle&lt;/em&gt;, screened at Sundance in 2012. Also in 2012, he was a finalist for a Stranger Genius Award in film. Because his films involve a lot of historical, social, and scientific facts, Christie is constantly researching this and that neglected or forgotten part of American culture. His current but not complete animation project about the cultural history of guns&amp;#8212;working title: &lt;em&gt;The Haunting of America&lt;/em&gt;&amp;#8212;was under way even before Newtown returned gun control to the center of mainstream politics.&lt;/p&gt;
&lt;p&gt;Three things in his research so far have caught Christie&#39;s imagination: One, the NRA&#39;s idea of Second Amendment rights actually came from the Black Panthers. Two, many of the towns in the Wild, Wild West actually had more gun-control laws than cities do today. And three: There is no more potent symbol of the United States today than Sarah Winchester, the heiress of the Winchester Repeating Arms Company, who kept adding rooms to her mansion because she feared its completion would fatally expose her to the ghosts of people killed by the guns her family manufactured.&lt;/p&gt;
&lt;p&gt;&lt;u&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/drew-christie-draws-guns/Content?oid=16162418&quot;&gt;Continue reading &amp;#187;&lt;/a&gt;&lt;/u&gt;&lt;/p&gt;
        
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        <media:title type="html">&lt;em&gt;A&amp;P&lt;/em&gt; Animation: Drew Christie Draws Guns</media:title>
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        <media:credit>Drawings by Drew Christie from his work in progress.</media:credit>
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    <pubDate>Fri, 08 Mar 2013 10:03:00 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Tonight: A Cafe Racer Benefit for David George &quot;the Bug Chef&quot; Gordon</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/07/tonight-a-cafe-racer-benefit-for-david-george-the-bug-chef-gordon</link>
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      <dc:creator>Brendan Kiley</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.davidgeorgegordon.com/index.html&quot;&gt;David George Gordon&lt;/a&gt; is a municipal treasure. He&#39;s a naturalist, bug chef, cookbook author, musician, and one of the odder (and more endearing) stars in the constellation of Seattle culture.&lt;/p&gt;
&lt;p&gt;I first met him in 2008, when he came to my kitchen for a &lt;em&gt;Stranger&lt;/em&gt; video about how to cook a tarantula (the squeals you hear in the background are courtesy of photographer/videographer Kelly O and food critic/managing editor Bethany Jean Clement):&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;iframe width=&quot;420&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/jcFF-PDN258&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Later, I got to know him as the harmonica player for &lt;a href=&quot;http://godsfavoritebeefcake.bandcamp.com/album/a-beautiful-trainwreck&quot;&gt;God&#39;s Favorite Beefcake&lt;/a&gt; (two of whose members were killed during the Cafe Racer murders). And I&#39;ve always been a fan of his &quot;Feast of St. Gratus,&quot; when he cooks a &lt;a href=&quot;http://www.thestranger.com/seattle/how-to-eat-wormsandmdashand-locusts-and-ants-and-cricket-nymphs/Content?oid=9932372&quot;&gt;bug banquet&lt;/a&gt; and serves it up to the public.&lt;/p&gt;
&lt;p&gt;Recently, Gordon had stroke&amp;#8212;thankfully, he lost none of his cognitive abilities, but he&#39;s got some steep hospital bills to pay. Tonight, &lt;a href=&quot;http://caferacerseattle.com/&quot;&gt;Cafe Racer is throwing a benefit party&lt;/a&gt; starting at 6 pm. (I&#39;m not sure exactly what it&#39;ll look like, but these folks know how to have fun. &lt;a href=&quot;http://www.facebook.com/events/210526929089821/permalink/211052209037293/&quot;&gt;Facebook page here.&lt;/a&gt;)&lt;/p&gt;
&lt;p&gt;On a side note: I&#39;m always (and increasingly) infuriated by how many people have to resort to fundraising to cover their necessary medical bills. This is old news, but still&amp;#8212;when we have to crowd-source and rely on donations to pay for urgent medical care, we have been failed by both the government and the market.&lt;/p&gt;
&lt;p&gt;It&#39;s pathetic.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/07/tonight-a-cafe-racer-benefit-for-david-george-the-bug-chef-gordon#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 07 Mar 2013 13:48:00 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Q&amp;A with Ezra Dickinson, a Choreographer and Dancer Featured in the New A&amp;P</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/06/qanda-with-ezra-dickinson-a-choreographer-and-dancer-featured-in-the-new-aandp</link>
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      <dc:creator>Christopher Frizzelle</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/the-lineup/Content?oid=16162460&quot;&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/dcad/1362608859-lineup-ezra-570.jpg&quot; alt=&quot;Ezra Dickinson and a dinosaur head.&quot; title=&quot;Ezra Dickson and a dinosaur head.&quot; width=&quot;500&quot; height=&quot;571&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;Kelly O&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Ezra Dickinson and a dinosaur head.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/04/the-reading-party-is-wednesday-night-with-special-guests-kary-wayson-and-ezra-dickinson&quot;&gt;(Dickinson is also a special guest at the silent-reading party TONIGHT at the Sorrento. If you don&#39;t know what that is, click here.)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tell me about the dinosaur head.&lt;/strong&gt;&lt;br /&gt;It&#39;s an allosaurus. I copied the face out of a National Geographic. I like the idea of masks. And I like using cardboard a lot&amp;#8212;it&#39;s a really plentiful material. It&#39;s everywhere. And it&#39;s light. Papier-m&#xE2;ch&amp;#233; is a lot heavier and a lot messier. This is no mess. For me, the dinosaur is childhood&amp;#8212;playing with dinosaurs when you&#39;re a kid.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;And you&#39;ve been dancing since you were a kid?&lt;/strong&gt;&lt;br /&gt;My mother is a dance teacher. She put me in dance when I was 4. I started at Pacific Northwest Ballet when I was 8, and I danced there for 12 years on full scholarship. I left PNB when I was 20, and I went to Cornish and got a degree in dance with an emphasis in choreography. Even before graduating, I was supporting myself as an artist.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;You&#39;re working on an outdoor dance piece about your mom, who&#39;s been diagnosed with schizophrenia and was homeless for a time. Is that right?&lt;/strong&gt;&lt;br /&gt;Yes. She called me and tried to act like nothing weird was going on. She was like, &quot;Oh, I&#39;m living on the street right now,&quot; but she wanted to move on and ask me about what I was doing. And it set my imagination going&amp;#8212;both &quot;Oh my god, my mother is living on the street,&quot; but also &quot;This is heavy, crazy imagery that&#39;s popping into my head now.&quot; When your parents are weird and sporadic artists, it lends itself to making art about them. And it&#39;s not like I&#39;m making fun of them or want anyone to think less of them, but I&#39;m really inspired by their craziness.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;It&#39;s called &lt;em&gt;Mother for You I Made This&lt;/em&gt; and starts outside the Greyhound station downtown.&lt;/strong&gt;&lt;br /&gt;Right now the performance is scheduled to begin May 6 at 7 p.m., and I&#39;ll perform every single day until May 19. Fourteen shows. Or 21 shows, if the 14 go well. I imagine this as maximum 20 people as an audience. But one day, it could be just for two people. I love the idea of having a super-intense solo performance just for two people, potentially.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;What if it rains?&lt;/strong&gt;&lt;br /&gt;Great. I&#39;m going to be providing the audience with umbrellas. And myself, I&#39;m going to be dancing through it.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Dickinson talks about his work in progress on April 14 at Velocity Dance Center, 2 pm, free, and performs Mother for You I Made This, May 6&amp;#8211;19, velocitydancecenter.org.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;To read more interviews with performers, artists, and writers who&#39;ve got stuff going on this spring, &lt;a href=&quot;http://www.thestranger.com/seattle/the-lineup/Content?oid=16162460&quot;&gt;CLICK ON THESE LETTERS RIGHT HERE &gt;&gt;&lt;/a&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/03/06/qanda-with-ezra-dickinson-a-choreographer-and-dancer-featured-in-the-new-aandp#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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        <media:title type="html">Q&amp;A with Ezra Dickinson, a Choreographer and Dancer Featured in the New &lt;i&gt;A&amp;P&lt;/i&gt;</media:title>
        <media:description>Ezra Dickson and a dinosaur head.</media:description>
        <media:credit>Kelly O</media:credit>
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    <pubDate>Wed, 06 Mar 2013 14:37:34 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Please Enjoy the New Issue of A&amp;P</title>
    <link>http://slog.thestranger.com/slog/archives/2013/03/06/please-enjoy-the-new-issue-of-aandp</link>
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      <dc:creator>Megan Seling</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://seattleaandp.com&quot;&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:412px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/1063/1362553470-cover-400-2.jpeg&quot; alt=&quot;Cover-400-2.jpeg&quot; title=&quot;&quot; width=&quot;400&quot; height=&quot;530&quot; /&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/drew-christie-draws-guns/Content?oid=16162418&quot;&gt;Drew Christie Draws Guns&lt;/a&gt;: The animator who&#39;s made films about drones, plagiarism, and talking whales turns his sights on guns. Guns, guns, guns. By &lt;strong&gt;Charles Mudede&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/visual-parades-for-a-post-i-502-city/Content?oid=16162043&quot;&gt;Visual Parades for a Post I-502 City&lt;/a&gt;: Collide-O-Scope&#39;s Sampledelic Cinema by &lt;strong&gt;David Schmader&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/the-odd-girls-of-paris/Content?oid=16162068&quot;&gt;The Odd Girls of Paris&lt;/a&gt;: And by &quot;Odd Girls,&quot; I Mean Lesbians&amp;#8212;Gertrude Stein, Sylvia Beach, the Weirdos at Shakespeare and Company, Me... by &lt;strong&gt;Rebecca Brown&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/the-lineup/Content?oid=16162460&quot;&gt;The Lineup&lt;/a&gt;: Interviews with a Sculpter, a Violinist, a Corpse Expert, a Choreographer, a Dancer, and a Clarinetist&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/a-theater-collective-that-would-rather-fail-than-do-what-everyone-else-is-doing/Content?oid=16162022&quot;&gt;A Theater Collective That Would Rather Fail Than Do What Everyone Else Is Doing&lt;/a&gt;: The Satori Group Looks Best When They Make Things Hard on Themselves by &lt;strong&gt;Brendan Kiley&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Plus &lt;a href=&quot;http://www.thestranger.com/seattle/anatomy-of-a-painting/Content?oid=16174576&quot;&gt;kittens&lt;/a&gt;, &lt;a href=&quot;http://www.thestranger.com/seattle/jfk-vs-predator/Content?oid=16161991&quot;&gt;short fiction&lt;/a&gt;, and calendars featuring everything happening in &lt;strong&gt;film, theater, art, readings, classical, and jazz&lt;/strong&gt; this season. &lt;a href=&quot;http://www.seattleaandp.com&quot;&gt;See it all right here.&lt;/a&gt;&lt;/p&gt;
        
      </description>
      
        
          <category>Arts</category>
        
          <category>Housekeeping</category>
        
      
    
    

    
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    <pubDate>Wed, 06 Mar 2013 08:55:00 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Jinkx Monsoon Was Dubbed &quot;the Meryl Streep of Drag Queens&quot; on RuPaul&#39;s Drag Race Last Night</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/26/jinkx-monsoon-was-dubbed-the-meryl-streep-of-drag-queens-on-rupauls-drag-race-last-night</link>
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      <dc:creator>Christopher Frizzelle</dc:creator>
    

    
      <description>
        
        &lt;p&gt;All the homosexuals in the building are so frantic getting &lt;em&gt;A&amp;P&lt;/em&gt;, our quarterly arts magazine, off to the printer that no one remembered to put up the news: &lt;strong&gt;Jinkx Monsoon killed it last night.&lt;/strong&gt; Gawker called it &quot;the best-ever impression of Little Edie Bouvier Beale,&quot; and &lt;a href=&quot;http://gawker.com/5987006/this-is-the-best-ever-impression-of-little-edie-bouvier-beale&quot;&gt;they have a highlight reel right here.&lt;/a&gt; But whatever with highlights, you ought to watch the whole thing. The alternate headline for this post was &quot;Hometown Hero Outsmarts a Pack of Wolves.&quot;&lt;/p&gt;
&lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;div style=&quot;background-color:#000000;width:520px;&quot;&gt;&lt;div style=&quot;padding:4px;&quot;&gt;&lt;iframe src=&quot;http://media.mtvnservices.com/embed/mgid:uma:videolist:logotv.com:1702259&quot; width=&quot;512&quot; height=&quot;288&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;&lt;p style=&quot;text-align:left;background-color:#FFFFFF;padding:4px;margin-top:4px;margin-bottom:0px;font-family:Arial, Helvetica, sans-serif;font-size:12px;&quot;&gt;Get More: &lt;br /&gt;&lt;a href=&quot;http://www.logotv.com/shows/rupauls_drag_race/season_5/series.jhtml&quot; style=&quot;color:#439CD8;&quot; target=&quot;_blank&quot;&gt;Watch RuPaul&#39;s Drag Race Full Episodes&lt;/a&gt;, &lt;a href=&quot;http://www.newnownext.com/personality/rupaul&quot; style=&quot;color:#439CD8;&quot; target=&quot;_blank&quot;&gt;RuPaul&lt;/a&gt;, &lt;a href=&quot;http://www.logotv.com/&quot; style=&quot;color:#439CD8;&quot; target=&quot;_blank&quot;&gt;Logo TV&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;small&gt;(Thanks, Banna.)&lt;/small&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/26/jinkx-monsoon-was-dubbed-the-meryl-streep-of-drag-queens-on-rupauls-drag-race-last-night#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Comedy</category>
        
          <category>Arts</category>
        
          <category>Homo</category>
        
      
    
    

    
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    <pubDate>Tue, 26 Feb 2013 18:56:14 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>NY Landlord Paints Over Banksy Mural</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/21/ny-landlord-paints-over-banksy-mural</link>
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      <dc:creator>Cienna Madrid</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.thesmokinggun.com/buster/disappearing-banksy-art-687452&quot;&gt;Sad trombone&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;A New York City landlord who plastered over a Banksy mural is likely regretting that decision amid reports that a U.S. gallery is planning to auction off a work by the street artist that was recently cut from the wall of a London building.&lt;/p&gt;
&lt;p&gt;The Miami gallery is estimating that the 2012 Banksy mural, now called &amp;#8220;Slave Labor (Bunting Boy),&amp;#8221; will fetch between &lt;strong&gt;$500,000-700,000&lt;/strong&gt; at auction this Saturday. The work was removed last week from the side of a department store, apparently with the approval of the building owner.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;It&#39;s an equal bummer that people are cutting Banksy&#39;s work out of the sides of buildings now, just to make a buck. &lt;em&gt;Good&lt;/em&gt; public art should be preserved for the enjoyment of the public, given how little of it out there is actually enjoyable.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/21/ny-landlord-paints-over-banksy-mural#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
      &lt;p&gt;[ &lt;a href=&quot;http://www.thestranger.com/seattle/Rss.xml?oid=16069217&amp;amp;id=comments&quot;&gt;Subscribe to the comments on this story&lt;/a&gt; ]&lt;/p&gt;
      </description>
      
        
          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Thu, 21 Feb 2013 16:12:54 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Meanwhile On My Mantle</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/13/meanwhile-on-my-mantle</link>
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      <dc:creator>Dan Savage</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/a978/1360797381-onmymantle.jpg&quot; alt=&quot;onmymantle.JPG&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;500&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;Um... &lt;a href=&quot;http://www.thestranger.com/seattle/charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth/Content?oid=15995245&quot;&gt;yeah&lt;/a&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/13/meanwhile-on-my-mantle#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Wed, 13 Feb 2013 15:21:46 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Artist Charles Krafft Is a White Nationalist Who Believes the Holocaust Is a Deliberately Exaggerated Myth</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/13/artist-charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth</link>
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      <dc:creator>Christopher Frizzelle</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;a href=&quot;http://www.thestranger.com/seattle/charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth/Content?oid=15995245&quot;&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/062b/1360787160-charleskrafftteapot.jpg&quot; alt=&quot;CHARLES KRAFFT&amp;#8217;S HITLER TEAPOT Hitler Idaho was purchased by a Jewish collector, now dead, who later gave it to a museum in San Francisco. The curator there speculates that if the collector were still alive and knew Krafft&amp;#8217;s current views on the Holocaust, he would smash it.&quot; title=&quot;CHARLES KRAFFT&amp;#8217;S HITLER TEAPOT Hitler Idaho was purchased by a Jewish collector, now dead, who later gave it to a museum in San Francisco. The curator there speculates that if the collector were still alive and knew Krafft&amp;#8217;s current views on the Holocaust, he would smash it.&quot; width=&quot;500&quot; height=&quot;668&quot; /&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;IMAGE COURTESY OF FINE ARTS MUSEUMS OF SAN FRANCISCO&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;&lt;b&gt;CHARLES KRAFFT&amp;#8217;S HITLER TEAPOT&lt;/b&gt; &quot;Hitler Idaho&quot; was purchased by a Jewish collector, now dead, who later gave it to a museum in San Francisco. The curator there speculates that if the collector were still alive and knew Krafft&amp;#8217;s current views on the Holocaust, he would smash it.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;What will happen to one of the Northwest&#39;s preeminent artists&amp;#8212;whose Nazi imagery has always been considered ironic&amp;#8212;&lt;a href=&quot;http://www.thestranger.com/seattle/charles-krafft-is-a-white-nationalist-who-believes-the-holocaust-is-a-deliberately-exaggerated-myth/Content?oid=15995245&quot;&gt;now that his views are not a secret?&lt;/a&gt;&lt;/p&gt;
        
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        <media:title type="html">Charles Krafft Is a White Nationalist Who Believes the Holocaust Is a Deliberately Exaggerated Myth</media:title>
        <media:description>&lt;b&gt;CHARLES KRAFFT&#x2019;S HITLER TEAPOT&lt;/b&gt; &quot;Hitler Idaho&quot; was purchased by a Jewish collector, now dead, who later gave it to a museum in San Francisco. The curator there speculates that if the collector were still alive and knew Krafft&#x2019;s current views on the Holocaust, he would smash it.</media:description>
        <media:credit>IMAGE COURTESY OF FINE ARTS MUSEUMS OF SAN FRANCISCO</media:credit>
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    <pubDate>Wed, 13 Feb 2013 12:29:29 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>The Origin of the World Has a Head?</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/08/the-origin-of-the-world-has-a-head</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;An art collector is claiming he/she has the head for this famous &lt;a href=&quot;http://www.euronews.com/2013/02/08/missing-half-of-courbets-origin-of-the-world-found-claim-/&quot;&gt;painting by Courbet&lt;/a&gt;...&lt;br /&gt;&lt;blockquote&gt;Apparently, according to the collector, whose name has not been disclosed, the portrait of the woman which formed the top half of the complete painting lay unrecognised for many years in an antique shop.&lt;br /&gt; &lt;br /&gt;In 2010, the portrait was discovered and since then has been subjected to a series of tests to authenticate it. &lt;br /&gt; &lt;br /&gt;Jean-Jacques Fernier, a top expert in Courbet&amp;#8217;s work, has confirmed that the portrait belongs to the famous painter.&lt;/blockquote&gt;&lt;br /&gt;This, the unknown collector claims, &lt;a href=&quot;http://4.bp.blogspot.com/-UYcAQY-q3S0/URQgPjkaRcI/AAAAAAAAI1I/NvCvKlDrFwg/s1600/1.jpg&quot; rel=&quot;nozoom&quot; target=&quot;_blank&quot;&gt;is the head of the Origin&lt;/a&gt;. It&#39;s something to think about: There just might be a mind at the beginning of the world.&lt;/p&gt;
&lt;p&gt;The Origin of the World is after the jump for all you NSFW pussies...&lt;/p&gt;
              &lt;p&gt;&lt;div class=&quot;blogImageCenter&quot; style=&quot;width:512px;&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/eacc/1360369914-screen_shot_2013-02-08_at_4.30.45_pm.png&quot; alt=&quot;Screen_shot_2013-02-08_at_4.30.45_PM.png&quot; title=&quot;&quot; width=&quot;500&quot; height=&quot;417&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/08/the-origin-of-the-world-has-a-head#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 08 Feb 2013 16:29:33 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Great Syphilis Posters from the 1930s</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/08/great-syphilis-posters-from-the-30s</link>
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      <dc:creator>Charles Mudede</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Out of&lt;a href=&quot;http://www.loc.gov/pictures/search/?q=syphilis&amp;st=grid&amp;co=wpapos&quot;&gt; all the posters&lt;/a&gt;, this one is &lt;a href=&quot;http://www.loc.gov/pictures/collection/wpapos/item/98516350/&quot;&gt;my favorite&lt;/a&gt;.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/08/great-syphilis-posters-from-the-30s#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Fri, 08 Feb 2013 09:01:02 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Attention All Arts People! The A&amp;P Calendar Deadline Is Today!</title>
    <link>http://slog.thestranger.com/slog/archives/2013/02/01/attention-all-arts-people-the-aandp-calendar-deadline-is-today</link>
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      <dc:creator>Brendan Kiley</dc:creator>
    

    
      <description>
        
        &lt;p&gt;If you are making/producing/promoting an arts event &lt;strong&gt;between March 4 and June 1&lt;/strong&gt; and want it listed in &lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;A&amp;P&lt;/a&gt;, our arts quarterly, please tell us about it &lt;em&gt;today&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Jen Graves posted this deadline &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/01/25/help-us-help-you-the-aandp-listings-deadline-approacheth&quot;&gt;last week.&lt;/a&gt; Consider this your reminder.&lt;/p&gt;
&lt;p&gt;We want our calendar to be comprehensive, but your email doesn&#39;t have to be&amp;#8212;theaters, for example, might have a performance scheduled between March 4 and June 1, but don&#39;t know all the details yet (who&#39;s in the cast, the ticket price, etc.).&lt;/p&gt;
&lt;p&gt;That&#39;s okay. We don&#39;t need long, exhaustive press releases. (In fact, we never want long press releases, but that&#39;s another subject for another day.) All we need is the title, the location, the date range, and the briefest of explanations (one sentence will suffice) about what it is.&lt;/p&gt;
&lt;p&gt;If you cannot send your March 4-June 1 email today, send it tomorrow. Or the next day. But please don&#39;t wait much longer than that. Today is technically the deadline, and we want to make you happy by including your event in our calendar.&lt;/p&gt;
&lt;p&gt;The emails:&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;mailto:film@thestranger.com&quot;&gt;film@thestranger.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;mailto:theater@thestranger.com&quot;&gt;theater@thestranger.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;mailto:readings@thestranger.com&quot;&gt;readings@thestranger.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;mailto:visualart@thestranger.com&quot;&gt;visualart@thestranger.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;That is all.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/02/01/attention-all-arts-people-the-aandp-calendar-deadline-is-today#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 01 Feb 2013 11:58:27 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Overheard in the Office</title>
    <link>http://slog.thestranger.com/slog/archives/2013/01/31/overheard-in-the-office</link>
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      <dc:creator>Gillian Anderson</dc:creator>
    

    
      <description>
        
        &lt;p&gt;Two staffers discussing &amp;#8220;art projects&amp;#8221; that involve &lt;strong&gt;naked people with fruit on them&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;&amp;#8220;I love avocado and naked men, I don&amp;#8217;t know what you guys are talking about.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8220;We all know how fast avocado oxygenates.&amp;#8221;&lt;/p&gt;
&lt;p&gt;Noted.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/01/31/overheard-in-the-office#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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          <category>Arts</category>
        
      
    
    

    
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    <pubDate>Thu, 31 Jan 2013 17:37:54 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title>Help Us Help You: The A&amp;P Listings Deadline Approacheth</title>
    <link>http://slog.thestranger.com/slog/archives/2013/01/25/help-us-help-you-the-aandp-listings-deadline-approacheth</link>
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      <dc:creator>Jen Graves</dc:creator>
    

    
      <description>
        
        &lt;p&gt;&lt;div class=&quot;blogImageRight&quot; style=&quot;width:212px;&quot;&gt;&lt;a href=&quot;http://www.thestranger.com/binary/fa71/1359136198-your_message_jpeg.jpg&quot; class=&quot;zoomable&quot;&gt;&lt;img src=&quot;http://www.thestranger.com/binary/fa71/1359136198-your_message_jpeg.jpg&quot; alt=&quot;Dooo iiiit. Its gonna feel so good.&quot; title=&quot;Dooo iiiit. Its gonna feel so good.&quot; width=&quot;200&quot; height=&quot;87&quot; /&gt;&lt;/a&gt;&lt;ul&gt;&lt;li class=&quot;imageCredit&quot;&gt;&lt;/li&gt;&lt;li class=&quot;imageCaption&quot;&gt;Dooo iiiit. It&#39;s gonna feel so good.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;We always want our arts quarterly magazine, &lt;a href=&quot;http://seattleaandp.com/index.html&quot;&gt;&lt;em&gt;A&amp;P&lt;/em&gt;&lt;/a&gt;, to be comprehensive. The new edition will come out in March. Please help by &lt;strong&gt;submitting your upcoming events to us by February 1&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;The magazine will cover &lt;strong&gt;March 4 through June 1&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Send email for:&lt;br /&gt;&lt;a href=&quot;mailto:film@thestranger.com&quot;&gt;Film calendar&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;mailto:theater@thestranger.com&quot;&gt;Theater calendar&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;mailto:readings@thestranger.com&quot;&gt;Books calendar&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;mailto:visualart@thestranger.com&quot;&gt;Art calendar&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Thanks, folks.&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://slog.thestranger.com/slog/archives/2013/01/25/help-us-help-you-the-aandp-listings-deadline-approacheth#comments&quot;&gt;Comment on this story&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 25 Jan 2013 10:27:41 -0800</pubDate>
    <source url="http://www.thestranger.com">The Stranger</source>
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