Comments

1
Thanks Dave! I'm seeing them tomorrow in Chicago. I too lament Kraftwerk disavowing their early work, and wish it were more embraced by him/them.
2
I love the old Kraftwerk albums. There is money to be made with reissues. It seems insane not to mine that sweet back catalogue.
3
Back catalogues can be tricky especially with significant line up changes since everyone has to sign off on the re-issue. Combine that with the fact that the line up changes mean that many of the people making money off the re-issue are not currently part of the band and you can see why it takes someone like Rhino Records who is willing to take on passion projects to make these thing happen.

Incidentally, Rhino might not be a bad place to issue a plea for this.
4
I thought I was the only one. Maybe not really...

But I wore out several copies of Kraftwerk playing Ruckzuck over and over and over... Liked Ralf und Florian and Autobahn, but lost interest after that.

Thanks for the link to the concert. I saw them on the Autobahn tour at the Aragon Ballroom in Chicago.
5
That footage is great.
6
In 1970, Kraftwerk, aren't saying much more than Iron Butterfly said in 1967.

Also, why do all the girls look like Hillary Clinton at Wellesley?

7
Dude toots a mean flute.
8
In 1970, Kraftwerk, aren't saying much more than Iron Butterfly said in 1967.

Iron Butterfly's first recordings came out in 1968. But maybe you saw some of their shows from '67 and can confirm their improvisational brilliance?
9
Given Kraftwerk's iconic style and massive influence on several genres of music (which The Stranger ignores entirely*), it's perfectly reasonable for them to disavow earlier works that aren't in that style. The classic eight albums so successfully captured something unique and brilliant. "Music technicians" and the entire aesthetic are undermined by the proto-Kraftwerk albums.

Frankly, if they'd played any of this in LA last week when I flew down for the show I'd be pissed.

* Seriously, VNV Nation or Project Pitchfork sell out shows here and The Stranger can't even list them? Hell, Laibach barely gets a mention outside the Krafft fiasco.
10
Note for the attention-span challenged: it gets way better after 18 minutes ...
11
"The albums Tone Float (as Organisation), Kraftwerk, Kraftwerk 2, and Ralf und Florian—all co-produced by Conny Plank—represent some of the most adventurous free rock and exploratory electronic recordings ever cut."

They are indeed fine albums - but the tone of this statement indicates you really need to get out more. You might start with the about, oh, 25 or so essential albums from that same period, in the same country.

PS. Around the 40 second mark of "Kristallo" from Ralf And Florian - the birth of "techno" as we now know it. Unless someone has a better nomination.
12
Their early sound reminds me a bit of Spaceman 3 with more electronic adventurism. I think music of this kind could be duplicated live today-----but what the musicians would do as they've done at the local experimental music festivals is to open up a mac and play the digital file they programmed earlier.

That being said, I look forward to a re-release of Kraftwerk's early albums.
13
"Their early sound reminds me a bit of Spaceman 3 with more electronic adventurism."

Mmmmmm. Yeah. And I was just thinking the other day how the early 70's Stones remind me a lot of mid 90s Primal Scream with more.....um, you know, more.

All is lost. Please Mr. Sun, explode, soon.
14
@11 I get out plenty and how do you know the extent of my knowledge of German music from this period? You want to nerd out on krautrock? Bring it.
15
@14 - "Bring it"? Bad start.

I would begin by taking issue with referring to the first two albums (and the Organisation) as necessarily "electronic", particularly the second one.

So let's see off the top of your head what five recordings from the same period you would give equal, or similar stature to?

And this is always a telling sign - at what point do you consider TD to no longer be of use?
16
Bloop, why are you so angry?

Also, for some context: http://www.thestranger.com/seattle/dispo…
17
@16 - It's more teeth-gnashing frustation than anger. That's just how I roll.

Re the link - only time to scan it briefly at the moment, but hooo boy - that's just gonna open whole 'nother can of frustrated worms. MUSIC is what matters. Not what format, not what genre it gets lumped into, not what "perceived wisdom" has to say about it. Music. Period. Each to his own, YMMV, etc etc, but anybody who works on the "music should only be heard on vinyl" theory, tells me with that sentence that the music itself is not really their overriding concern. It is, however, mine. Hence the occasional gnash.

One line I saw that caught my attention though, neatly tying us to this thread's subeject was Kraftwerk "stubbornly refusing to reissue" the early albums, to which I would say a) none of us REALLY know how or why Ralf (or Florian) feel like they do about them, so that's a bit of a leap to make, and b) it's not like they are, or ever have been, that unavailable to someone who wants them bad enough.

18
@17 - Okay, that's fine. Really the point I was making with the link to an old article by Dave is that he knows his shit RE: music, be it experimental, obscure, German, etc. The format it comes in/on isn't relevant to this post.

Ultimately, it seems like you assumed rather quickly that Dave is a big-talking neophyte when it comes to the music you both love, but that's just not the case. You're brothers in arms. Celebrate.
19
@17 (and to Dave) - Fine to your fine. A better way to have described my POV in response to your angry question may have been to say "you say angry, I say passionate". And in that regard, I have a feeling we still probably differ in some pretty crucial ways. But as I said - to each their own. Passion boils over at times.

20
After weeks and weeks of boring music posts we get this and the comments boil down to passion. Snobs ruin a good thing. Again.
21
@20 - Thanks for flipping me back to angry. Blow me.
22
@15 off the top of your head what five recordings from the same period you would give equal, or similar stature to?

Besides the obvious Can/Neu!/Faust axis?

Et Cetera- Et Cetera
Brave New World- Impressions On Reading Aldous Huxley
Harmonia- Musik Von Harmonia (from 1974, I know; Cluster II, if you want to go earlier)
Deuter- D
Ash Ra Tempel- Seven Up

I'm sure I left out something better, but that's off the top of me dome.

at what point do you consider TD to no longer be of use?
Phaedra and Rubicon are the last TD albums that REALLY do it for me, but I have time for Exit and the Thief OST.
23
Er, Rubycon, that is.
24
anybody who works on the "music should only be heard on vinyl" theory, tells me with that sentence that the music itself is not really their overriding concern.

I never said that. I may prefer to hear music on vinyl, but I also listen to and enjoy it on cassette, CD, myriad digital formats, and performed live by human beings.
25
I didn't say you said those exact words (and as I mentioned, I only had time to skim the article - am planning on reading it fully, and you do have my condolences for having to go through that shit storm) - but I got a whiff of that in there along with some other thing that made me sense a pretty wide gulf in overall outlook.

Similarly, with your list (and TD comment, which I was more less expecting), to which I can only say - let me roll back my initial, peevish "get out more comment" and simply replace it with "boy, do we work different corners of this universe" on this one. (And go a little earlier still with Cluster '71...)
26
Don't be so coy about your taste, Bloop. Let the world know how amazing it is. Show us a photo of your original pressing of Seesselberg's Synthetik 1.
27
Sorry, guy - as one who does not "crave the totems that announce to my visitors (and the world) that my taste is impeccable", all I can offer is my downloaded copy of that, which I realize doesn't compete with your vinyl, but hey - I try, ya know? ; )

Although I DO have an original Sudden Sway Spacemate box, with all of the goodies. Does this "announce" me better in your eyes? (Though of course, I ditched the vinyl ages ago once I downloaded that too.)
28
Bloop-

Sounds like you need to get out more.
29
I certainly need to find some new websites to browse for intelligent discourse, that's for damn sure.
30
Hey Bloop, I'm not as tactful or concerned with sucking my own dick. Go fuck yourself. I think that the Stranger is typically pretty flawed and that they are generally much more impressed with posting articles that, somehow, manage to boast about how much they don't know--"I'm not gonna lie, I don't really know anything about this... oh, geez." or, "My friend who knows about this stuff told me that it sounded kind of like ___" etc.--but to come on here and attack Dave Segal for not knowing anything about early 70s German experimental rock and kosmische Musik is ridiculously off base.

It's not very affective to approach a "conversation" as an antagonizing, pretentious asshole basing their own self worth on their own interpretation of historical significance; what does and does not constitute certain micro-genres; and rating systems, to try and accuse someone else of the same thing.

I only skimmed the article that you were linked to, as well, and the first things that I noticed were Dave mentioning how he lost 3 times as many CDs as vinyl and then going on to discuss the negative psychological implications of associating ones own identity with the things that they collect, enjoy, and connect themselves to. From every single angle, you look like a fucking clown.

So... I agree that you certainly do need to find some new websites to dump your worthless bullshit onto; although, I'm sure that you've already found plenty. But let's not kid ourselves; you didn't come here because something interested you, you showed up because you got the "signal" and thought there'd be an opportunity to commandeer a soapbox for yourself. And if you believe that I'm now the one gnashing my teeth, then you are correct sir. This type of pseudo-communication where people feel like they are injecting Pac-Man invincibility pills for their own egos, every time they type something that they feel is worth patting themselves on the back for--"Do you love me yet, papa?"--with their ocular cavities burning like a laptop monitor without a screensaver and their physical bodies withering away and caked in Dorito powder.... well, it's the disease of the age. But it's a fucking vile disease that's not dissimilar to Campylobacter enteritis, but of the soul and a hell of a lot more contagious.

Get over yourself dickhead. I'd suggest getting yourself a hobby, but you're better off getting rid of one.
31
That was very cute and foot stompy. But why are you wasting this shit in comments? With talent for garbage like that, you should be writing for this place, lol.

Everybody chill. I know when and where I'm not wanted. Or understood. So night night. Continue to enjoy your hipster navels. Somebody has to.
32
And not a single mention of the Radio Bremen recordings... great job!

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