Let’s begin with The Six Million Dollar Man. The TV show ran from 1973 to 1978. The star, Lee Majors, played an astronaut who, after his body is damaged in the crash of a test plane/spaceship, is transformed, with the top technology of the day, into a cyborg: part human but mostly wires, circuits, metal gears, and synthetic skin. The operation cost $6 million (roughly equal to $40 million in today’s money). The opening for the show is just mesmerizing.
After the test craft hits the ground and explodes, an off-camera narrator, Oscar Goldman, speaks to the members of a secret government agency with the deepest pockets. He says: “Gentlemen, we can rebuild him. We have the technology. We have the capability to make the world’s first bionic man. Steve Austin will be that man. Better than he was before. Better… stronger… faster.” At the last word, the show’s theme erupts into accelerating bongos, whirling and blasting horns, and a hard-funk bass line. By the end of the sequence, you are sold. Indeed, the show could never be as good as that opening: Lee Majors’s fast-motion running to a funky beat. It has to be downhill from there. But no matter. All of the garbage in the show had nothing on the music, which was written and produced by one of jazz’s greatest intellectuals, Oliver Nelson.
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