"events arenít the most philanthropic way to raise money anymore"
This represents a naive understanding of fundraising. Events do raise money, but the main function is to bond your supporters to the organization and to make contact with their guests (read, new donors).
Well, Mr. Kelly, if you're one of the migrant artists who actually temporarily appear/perform at some of these big institutions, having "more money" is hardly an issue of "fun." It's a matter of survival. I subsidized my profession through low-wages for 35 years at institutions run by wealthy volunteers; How about you? What do you make at your day-job, when you're not volunteering?
You better believe every damned dollar counts. We need to disenthrall ourselves from some of these institutions.
And while we're at it: some city-wide arts ceremony "like the Tonys" is not only provincial and asinine, Ms. True, but demonstrates the accuracy of the perception Mr. Hamilton gave, regarding Poncho, at his job interview.
PONCHO is a party for rich white people.
@3, it's also a stupid name for an arts organization. I mean, really.
Do they meet in a villa (ba-dum-bum...)?
very rich people stuff, who the fuck cares
these events are the ONLY place you see Seattle repugs, really
@5, normally I'd be right (left?) there with ya -- but these rich white people happen to be a siphon for much-needed financial resources to the not-at-all-so-rich artists and art orgs.
So let the Bellevue potentates and their Brides of Botoxenstein dress up and share stories of Obama's Islamic radicalism...the arts get to pick their pockets all night long.
Dan Savage advocates for the Iraq War in The Stranger--Oct. 2002
"War may be bad for children and other living things, but there are times when peace is worse for children and other living things, and this is one of those times."
"In the meantime, invading and rebuilding Iraq will not only free the Iraqi people, it will also make the Saudis aware of the consequences they face if they continue to oppress their own people while exporting terrorism and terrorists. The War on Iraq will make it clear to our friends and enemies in the Middle East (and elsewhere) that we mean business: Free your people, reform your societies, liberalize, and democratize... or we're going to come over there, remove you from power, free your people, and reform your societies for ourselves."
Actually, I'd be a bit happier if some of these rich white folk simply supported the work of the artists and arts organizations with their attendance at the events the artists themselves produce, namely gallery showings, recitals, concerts, plays, etc., etc. That would seem to be a more effective, not to mention more direct, means of "connect(ing) more with arts and artists" than attending a costly once or twice-a-year fundraiser.
But then, I guess it's more fun for an organization to say "we raised $500,000 in one evening" than it is to say, "we sold 5,000 more tickets than last season" or whatever.
@8, Comte I hope they are doing BOTH. Your point is well-taken, but I think it's only half the equation.
The "United Way" model of raising money centrally for many organizations has proven itself time and again as a model of both efficiency and efficacy. IF -- big IF -- the collecting entity is also operated efficiently and effectively.
Too often, the artists with the most cachet or publicity get the attention -- and, of course, dollars -- from the collector class. The unknown artist in Renton who may be a nascent Johns or Frankenthaler couldn't get these people's attention if they set themselves on fire by I-5. They need the seed money grants and other accessible programs for their chance to get on the ladder.
And that's what PONCHO (fuck, I hate that name...) provides, among other things. And in conjunction with other groups.
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