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<title>Slog - Comments on Seattle Opera Upcoming Seasons</title>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news</link>
<description>Hello. Welcome to a long-assed post that probably three people will read. Even though it hasn&apos;t been made officially, totally public yet, here&apos;s a look at Seattle Opera&apos;s very, very exciting and ambitious upcoming season (and a bit beyond). Via Opera-L, from the Seattle Opera 2008-2009 subscription brochure. 2008/2009 Season Aïda, August 2-23, 2008 Aïda: Andrea Gruber/Lisa Daltirus Radames: Antonello Palombi/Rosario La Spina Amneris: Stephanie Blythe/Luretta Bybee Amonasro: Charles Taylor/Richard Paul Fink Ramfis: Luiz-Ottariva Faria/Carsten Wittmoser King of Egypt: Joseph Rawley High Priestess: Priti Gandhi Messenger: Karl Reyes Conductor: Riccardo Frizza Set Designer: Michael Yeargan Costume Designer: Peter J. Hall...</description>
<copyright>Copyright 2008</copyright>
<pubDate>Wed, 02 Jan 2008 00:13:00 -0800</pubDate>
<lastBuildDate>Thu, 03 Jan 2008 08:22:20 -0800</lastBuildDate>
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<docs>http://blogs.law.harvard.edu/tech/rss</docs> 

<item>
<title>Comment by speight jenkins</title>
<description><![CDATA[<p>my god, not even i read this.</p>]]></description>
<author>speight jenkins</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886000</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886000</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 00:40:33 -0800</pubDate>
</item>
<item>
<title>Comment by Cow</title>
<description><![CDATA[<p>Huh. The <i>Aïda</i> thing is especially strange given that Portland Opera's closing out their 2007-2008 season with it. (And with what I hope is a far less ridiculous production concept...)</p>]]></description>
<author>Cow</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886009</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886009</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 01:28:46 -0800</pubDate>
</item>
<item>
<title>Comment by Cale</title>
<description><![CDATA[<p>i want to see the ring cycle. is it worth it? </p>]]></description>
<author>Cale</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886011</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886011</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 01:51:18 -0800</pubDate>
</item>
<item>
<title>Comment by Original Monique</title>
<description><![CDATA[<p>Thanks for posting this. It is true that I may be one of the few sloggers who enjoys the opera, but those are some interesting tidbits. </p>]]></description>
<author>Original Monique</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886039</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886039</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 07:40:34 -0800</pubDate>
</item>
<item>
<title>Comment by Brad</title>
<description><![CDATA[<p>I think more than 3 people will find this interesting. Curious about the diss to the Ring cycle? Are you dissing it? I've never attended but from what I hear it is what puts Seattle Opera on the map. No?</p>]]></description>
<author>Brad</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886050</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886050</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 08:22:10 -0800</pubDate>
</item>
<item>
<title>Comment by Nick</title>
<description><![CDATA[<p>Oh, no! Not dissing the <em>Ring</em>! It's quite good. The cast this coming year seems even more cohesive, vocally intelligent. It is <strong>absolutely</strong> worth it to go. I said "Let's not" because I thought it might be overwhelming for everyone (including me) for me to give my notes on a four-opera cycle—especially one about which so much has been written. I'll probably address the <em>Ring</em> as the dates approach.</p>]]></description>
<author>Nick</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886061</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886061</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 08:53:51 -0800</pubDate>
</item>
<item>
<title>Comment by MarkyMark</title>
<description><![CDATA[<p>Wow that really IS ambitious! Elektra and Pearl Fishers, hmm... I dropped my SO subscription years ago, due to increasing $$$ coupled with total boredom; I may have to rethink that.</p>]]></description>
<author>MarkyMark</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886069</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886069</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 09:15:54 -0800</pubDate>
</item>
<item>
<title>Comment by jacicita</title>
<description><![CDATA[<p>Nick, thanks for the clarification on the Ring. I had taken it as a diss too. I'm really hoping to be able to see it.</p>]]></description>
<author>jacicita</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886077</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886077</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 09:34:18 -0800</pubDate>
</item>
<item>
<title>Comment by dana</title>
<description><![CDATA[<p>Gradus's voice is much more than "decent"!  I saw his Leporello in San Francisco with Kwiecien and he was outstanding.  Did you hear his Figaro NPR broadcast from Houston - fantastic.  I don't know why you would say he was only "decent"</p>]]></description>
<author>dana</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886078</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886078</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 09:36:04 -0800</pubDate>
</item>
<item>
<title>Comment by Polka Party</title>
<description><![CDATA[<p>I've been an SO subscriber for nearly 15 years. The quality of their productions has really improved. Often a lavish summer production would mean sub par performances later in the season but that disparity has more or less disappeared in my view. </p>]]></description>
<author>Polka Party</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886079</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886079</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 09:39:55 -0800</pubDate>
</item>
<item>
<title>Comment by Craig</title>
<description><![CDATA[<p>this post is a profound flavor of sexy</p>]]></description>
<author>Craig</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886082</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886082</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 09:47:34 -0800</pubDate>
</item>
<item>
<title>Comment by Fnarf</title>
<description><![CDATA[<p>I just wish it wasn't so expensive. I buy my opera at the thrift store, where I can routinely find three-disc boxed sets of the masters -- Callas, Sutherland, Price, etc. -- for a couple of dollars. I did really enjoy La Boheme last year, though.</p>]]></description>
<author>Fnarf</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886102</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886102</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 10:15:37 -0800</pubDate>
</item>
<item>
<title>Comment by Nick</title>
<description><![CDATA[<p>Yeah, the <em>Ring</em> Cycle is prohibitively expensive to attend. But then again, it's a gigantic production that is expensive to put on. I'm cool with just listening to my Flagstad and Nilsson and Melchior, etc. It's just as marvelous to study with a score, a couple books, and some recordings. But I'd miss a thousand <em>Ring</em>s for an <em>Aïda</em>, an <em>Elektra</em>, and an <em>Erwartung</em>. I highly recommend those three.</p>]]></description>
<author>Nick</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886126</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886126</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 10:43:33 -0800</pubDate>
</item>
<item>
<title>Comment by Katelyn</title>
<description><![CDATA[<p>Is SO still making dress rehearsal tickets available to certain populations? </p>]]></description>
<author>Katelyn</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886127</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886127</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 10:44:29 -0800</pubDate>
</item>
<item>
<title>Comment by Nick</title>
<description><![CDATA[<p>I think the dress rehearsal tickets are made available to donors at a particular tier and more often to school for class visits through SO's Experience Opera program.</p>]]></description>
<author>Nick</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886138</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886138</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 10:53:44 -0800</pubDate>
</item>
<item>
<title>Comment by Katelyn</title>
<description><![CDATA[<p>Does anyone know where I can get a fake high school id? :P</p>]]></description>
<author>Katelyn</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886141</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886141</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 10:57:24 -0800</pubDate>
</item>
<item>
<title>Comment by lissa</title>
<description><![CDATA[<p>You can also get rehearsla tickest if you are a super in one of the productions. Supers are nonsinging roles performed by volunteers. Seattle Opera is always interested in attracting a younger audience, and this is a good way to check SOA out. Plus you get to be in an Opera!</p>]]></description>
<author>lissa</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886153</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886153</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 11:16:24 -0800</pubDate>
</item>
<item>
<title>Comment by Christopher DeLaurenti</title>
<description><![CDATA[<p>Thanks for posting this preview! I hope the Bluebeard/Ewartung double bill is the Robert Lepage production that was so dazzling in Vancouver back in '99.</p>]]></description>
<author>Christopher DeLaurenti</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886350</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886350</guid>
<category>Arts</category>
<pubDate>Wed, 02 Jan 2008 13:59:21 -0800</pubDate>
</item>
<item>
<title>Comment by June</title>
<description><![CDATA[<p>This blog is filled with nothing but mis-information. Perhaps this newspaper will find a better and more informed writer.... one who's a bit less provincial and has some perspective on the world of opera. Now that would be refreshing.</p>]]></description>
<author>June</author>
<link>http://slog.thestranger.com/2008/01/seattle_opera_news#c886865</link>
<guid>http://slog.thestranger.com/2008/01/seattle_opera_news#c886865</guid>
<category>Arts</category>
<pubDate>Thu, 03 Jan 2008 08:22:20 -0800</pubDate>
</item>


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