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Posted by Mr. Poe | January 18, 2008 10:29 AM

Well, that's just crap. I think I liked the last Dodge you posted, but this? Come on... It's not even big.

Posted by IHQIM | January 18, 2008 10:29 AM

viva la painting!

Posted by orangekrush | January 18, 2008 10:34 AM

I will refrain from comment.

Posted by NapoleonXIV | January 18, 2008 10:40 AM

Wait, are those jagged ripples in the large horizontal stroke original to the work, or are they a digital image artifact?

Posted by Nick | January 18, 2008 10:50 AM


Nice energy. Original in the way it looks like everything is hanging down. Dynamic. Is that music I see falling off?

Posted by unPC | January 18, 2008 11:21 AM

but is it WELL hung?

Posted by michael strangeways | January 18, 2008 3:27 PM

Posted by Carly D. | January 18, 2008 4:18 PM

It's pretty amazing what goes as art these days, isn't it?

Posted by Wolf | January 18, 2008 5:13 PM

My pit bulls could eat a box of crayons and crap a better picture.

Posted by NapoleonXIV | January 18, 2008 9:35 PM

#10 (206) 501-1231 Sounds interesting. Call me re: your pit bull prodigy's paintings. Ofili, Manzoni, Friedman, and Delvoye...intriguing.

Posted by Lawrimore Project | January 18, 2008 10:31 PM

@11 -- Wim Delvoye....swoon. I love his work.

Posted by Jubilation T. Cornball | January 19, 2008 4:08 PM

A lamer ripoff of michael Reafsnyder... geeze dont you Seattle people get out much.

Posted by pardon me | January 21, 2008 4:11 AM


C.V. vs. C.V. and Work vs. Work certainly presents an interesting pound-for-pound match up, but their projects are so radically different, "ripoff" seems a bit harsh if not myopic.

See the comparison for yourself at the artist's gallery websites.

Reafsnyder at the link provided above, and Dodge at ACME, Los Angeles.

Thanks for bringing Reafsnyder's work to our attention though #13.

Posted by LAWRIMORE project | January 21, 2008 9:26 AM

of course they are different.. I actually thought Reafsnyder was not quite enough... They have one at the Portland Art Museum on the 4th floor.

PS Portland's Jesse Hayward (who is either a sculptor or painter but I cant figure out which?) is extending the language into installation:

Posted by pardon me | January 22, 2008 6:44 PM

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