Arts The Heart of Criticism
posted by October 18 at 11:22 AM
onThe novel that most directly speaks to the critic, that defines, describes his/her function, mission, purpose, is Heart of Darkness. The narrative of Conrad’s short book is the narrative of any work of criticism. Marlow’s journey to the core of the colonial world has its double—its secret sharer—in the critic’s journey to the core of a work of art. That core is never apolitical. That core is always its truth. Upon reaching the point from which the work (a system of associations) radiates, glows, derives its power or aura, the critic must ask this: does it liberate or does it enslave? It’s one or the other. At the core of the colonial world, Conrad found an oppressor, Kurtz; at the core of other works, the critic might find the opposite: a liberator, a Moses, a Christ, a Muhammad.
Comments
The same goes for Finding Nemo, by the way. Everyone always forgets Finding Nemo, and I don't know why. Apocalypse Now, sure they remember that one, but the clown fish movie? Not so much. Even environmentalists. Go figure.
The first person to say it gets banned from the internet forever.
I remember Finding Nemo.
"a Moses, a Christ, a Muhammad"?
Oh, the horr--!
Finding Nemo should have been called Fuck Nemo: The Dory Story. And the movie should have consisted of 10 extra scenes with the school of fish making fun of the annoying dad, and Dory ditching the dad and having wicked fun adventures in the sea.
Comments Closed
In order to combat spam, we are no longer accepting comments on this post (or any post more than 14 days old).