http://slog.thestranger.com/2007/02/re_the_bounding_and_scrambling The Unpaid Intern already posted about the entertaining—and sometimes scary—photos by John Divola of dogs running alongside cars: These coarse, smudgy images are offset by the still, crisp images of another show (the opening act) also running at G. Gibson Gallery—Animal Holes by Eirik Johnson. Divola's photos the dogs are positive—almost heroic—figures, a blur of action in the middle of a vacant desert. (I'd say something about Dasein but I'm afraid of sounding pretentious.) Johnson's photos are the exact opposite—quiet, careful consideration of the negative, where all the texture and detail comes from the subject's surroundings. They are not images... Copyright 2008 Thu, 22 Feb 2007 13:27:27 -0800 Thu, 22 Feb 2007 18:03:38 -0800 http://www.movabletype.org/?v=3.34 http://blogs.law.harvard.edu/tech/rss Combine the two and you get this.

]]> jameyb http://slog.thestranger.com/2007/02/re_the_bounding_and_scrambling#c645014 http://slog.thestranger.com/2007/02/re_the_bounding_and_scrambling#c645014 Visual Art Thu, 22 Feb 2007 13:49:16 -0800

]]> or this http://slog.thestranger.com/2007/02/re_the_bounding_and_scrambling#c645664 http://slog.thestranger.com/2007/02/re_the_bounding_and_scrambling#c645664 Visual Art Thu, 22 Feb 2007 18:03:38 -0800