http://slog.thestranger.com/2007/02/a_great_one_by_peter_schjeldahl The refusal to numb his subject with deference, the relevant self-revelation, the last line. All reasons to read. Here's a sample from The New Yorker critic's latest, on Tintoretto: But he and his populous workshop also perpetrated some of the grimmest daubs—murky and slack—that you ever rushed past with a shudder. I realized, too late, that my puzzlement was a warning. Now I feel that I have acquired a brilliant, neurotic, exhausting friend who enjoins me to undertake on his behalf campaigns that he bungled when their conduct was up to him.... Copyright 2008 Sun, 11 Feb 2007 09:13:09 -0800 Thu, 01 Mar 2007 23:58:20 -0800 http://www.movabletype.org/?v=3.34 http://blogs.law.harvard.edu/tech/rss Amazing. What other art critic writes with such brio and informed self-confidence?

]]> Jim Demetre http://slog.thestranger.com/2007/02/a_great_one_by_peter_schjeldahl#c627639 http://slog.thestranger.com/2007/02/a_great_one_by_peter_schjeldahl#c627639 Arts Sun, 11 Feb 2007 13:05:44 -0800 akbudghcl houbtxq rqjylo sftvjoe oefwphadl ayukhd btrg

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