Arts A Great One by Peter Schjeldahl
posted by on February 11 at 9:13 AM
The refusal to numb his subject with deference, the relevant self-revelation, the last line. All reasons to read.
Here’s a sample from The New Yorker critic’s latest, on Tintoretto:
But he and his populous workshop also perpetrated some of the grimmest daubs—murky and slack—that you ever rushed past with a shudder. I realized, too late, that my puzzlement was a warning. Now I feel that I have acquired a brilliant, neurotic, exhausting friend who enjoins me to undertake on his behalf campaigns that he bungled when their conduct was up to him.
Amazing. What other art critic writes with such brio and informed self-confidence?
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