Arts Not a Bad Time to Be an Artist
In a couple months, a new organization called United States Artists (their website is here) will announce the first 50 winners of $50,000 grants. They’ll be giving these grants to artists every year “to ignite the creativity that makes this country great.”
Philip Bither, a curator at the Walker Art Center, tells the New York Times: “The individual artist has been at the back of the line in terms of support in American funding over the last decade, so any new system designed to get support directly into the hand of working artists is important.”
It’s almost as if he’s channeling Emily Hall, who in first describing the Stranger Genius Awards—five annual awards of $5,000 each, chosen by The Stranger’s arts writers and editors—wrote that, outside of Artist Trust…
…most arts money in Seattle is given to institutions rather than artists. We’ve got nothing against institutions—we’re giving one of our awards to an institution—but we want to give a good chunk of money to a few individuals who we feel are underknown, undershown, underfunded, underpraised. We want to give money to artists for whom it would make a difference; although even the most “emerged” artists could very well use $5,000, we want this money to be a career boost rather than a career affirmation. We want to give an artist money to pay the bills, to put up a play, to take a mind-expanding trip to Brazil, to stop taking temp jobs for a few months and finish that book.
Now in its fourth year, the Genius Awards have come to be about more than just the underknown, undershown, underfunded, and underpraised—although there are several underknown/shown/funded/praised names on every year’s list. We still give the bulk of the prize money to individuals. The money still comes with no strings attached and, unlike U.S.A.’s system, there is no application process. And this year’s Genius Awards will be the biggest yet: The party (at the Henry Art Gallery on Oct. 21) will be followed by an eight-week exhibition of Genius Award winners of year’s past. Hot damn!
I wonder who the first artist with a Genius Award to go on to win a U.S.A grant will be…
Anyone remember the FUSE foundation? Seattle, 1999-ish?