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Monday, September 25, 2006

A Response From Neumo’s on the Booking of Buju Banton

Posted by on September 25 at 15:23 PM

The response has been posted here, on a local LiveJournal page:

Live Journal Folks,

My name is Steven Severin and I am one of the owners and talent buyers for Neumos. I am personally responsible for booking Buju Banton. Below is a letter from Buju’s label, but I wanted to let you know my two cents as well.

Neumos does not condone any homophobic, racists, or any other asshole tendencies in our club. Many of you know me and are aware that I am very gay friendly and have tons of homosexual friends and acquaintances. Under no circumstance would we knowingly bring a homophobic artist to town.

What Buju said was extremely wrong and he is aware of that. The song was written when he was 15 years old. He has since then apologized for it several times and hasn’t played the song in years. He knows what he did was wrong and has tried to move past that and has written some of the most conscious and positive lyrics to date. I know this won’t change many of your minds about how you feel about the artist, but hopefully it does give you some understanding into our position.

Some people have asked that we cancel the show, which we simply can’t do. We are under contract and must continue with the show. I think if y’all do come down, you will see a far different Buju than the one you might have read about.

Thank you for your time

The letter from Buju’s record label is in the jump…

I am writing to you from the New York offices of Gargamel Music, Inc. the Jamaican record label headed by international Reggae icon Buju Banton. After hearing about the concerns being voiced by local gay activists about the upcoming performances in Washington, I felt it was important to reach out, as the public portrait that has been painted of Buju as an artist who has espoused violence, hatred and negativity his entire career is one of absolute fraud.

Indeed a young Buju Banton wrote the incendiary anti-gay missive "Boom Bye Bye” back when he was a mere 15 years old. The song caused a veritable furor in the states when it was re-released four years later in 1992 and has continued to haunt his career ever since, most recently evidenced by the manufactured charges of his alleged involvement in a gay bashing incident in Kingston nearly two years ago. Needless to say, Buju quietly maintained his innocence and was unequivocally cleared of all charges this past January.

While certain factions of the gay community have continued to try and discredit him in the mainstream media, those who have followed Buju Banton's artistic development and have actually listened to his entire body of work know of his prodigious growth into one of the world's most prolific singer/songwriters—one whose consistently positive messages of peace, love and spiritual enlightenment are never lost in the music. His 1995 release 'Til Shiloh was nominated for a Grammy award, landed on Spin magazine's Top 20 Albums of the Year and hailed by Rolling Stone magazine as one of the Best Albums of the Decade. Later projects Inna Heights (1997) and Unchained Spirit (2000) garnered him numerous comparisons to the late great Bob Marley. The album Friends For Life (2003) was also nominated for a Grammy award.

Buju Banton's love for humanity is not just demonstrated in words but also in deeds. Ten years ago he responded to the AIDS crisis in Jamaica by launching Operation Willy, an organization focused on raising monies for HIV positive babies and children who had lost their parents to the disease. For the last three years he served as spokesperson for Upliftment Jamaica, a US-based non-profit committed to working with underprivileged youth in Jamaica. Buju's culturally diverse fan base spans the Caribbean, North and South America, Europe, Africa, Asia, the Middle East and beyond. He is not simply an artist—he is a highly respected leader and very necessary voice. Please feel free to call me to discuss this matter further.

Best regards,

Tracii McGregor
Vice President/General Manager
Gargamel Music, Inc. — www.myspace.com/bujubanton


CommentsRSS icon

I hear that the song was released recently on his Greatest Hits release. Why did the record company perpetuate this song?

Eli,

This is probably the 3rd or 4th time Buju has played Seattle in recent years. I don't recall you making much a fuss last time he was at the Showbox.

Way to go!

steven, along with every talent booker, gallery curator, and promoter in town, should not have to justify his actions. he is in the business of selling and promoting music. he is not in the business of censoring what the public can or cannot hear.

clearly, buju has written and performed some pretty offensive stuff. add him to the list of many, many artists that are guilty of such behavior.

asking "what is neumo's thinking" for booking such an artist is treading some mighty dangerous territory. there are many folks that are offended by pornography, yet i saw no outcry of why the stranger would not only create, and also shamelessly promote, hump, a film festival entirely devoted to behavior that many would find offensive.

and, while i realize there were some specific rules to hump submissions that prohibited certain acts, the fact remains that art, whether it be fucking someone's ass on film or condemning that very act, is a very subjective process.



I'm not sure I see the correlation. I can see why people would be okay with consensual sex (i.e. amateur porn), but not hate speech. Advocating the killing of gay people is beyond simply "I'm offended." It's assault.

I don't think anyone should be on the defensive, but it might not be a good business decision to have this guy play.

I personally wouldn't book a guy that advocated killing someone because they're gay, black, a woman, Asian or whatever. Lot's of groups have songs about killing people (including my beloved Judas Priest) but it's more general.

I don't pretend that bookers have an easy time with these types of decisions, so I wish Steve luck in making his.


Kerri Harrop:

To clarify, this is what you're saying, right? "Some people are offended by the display of images of consensual adult sex, and others are offended by the singing of songs about the ritual murder of homosexuals. How can we say that getting all worked up about one is any worse than getting all worked up about the other?"

Hey, The Stranger promotes (runs, even) an event that promotes the video recording of adults having sex, and Neumos promotes an event that (according to what I've read here) promotes the torture and murder of homosexuals. One man's inappropriate sexual behavior among consenting adults is another man's torture and murder -- it's all art, right?


It might be different if the artist apologized for his previous actions and stopped playing the song. (The Beastie Boys apologized a few years ago for their anti-gay lyrics of the past.)

If there's some artistic merit in this song, I'd love to hear about it, but I'm not feeling it.

phil: nope, that's not what i am saying at all.

as stated in my original post, i understand that the stranger has certain guidelines for hump submissions (although i don't remember whether consent was covered, although i am sure it wouldn't be willfully omitted). that does not make the end product (pornography) any less offensive to a number of people (i, for the record, am not one of those people).

i think it is hypocritical for an entity such as the stranger to tout one controversial form of art (porn), while crying for censorship of another (buju banton's performance).

Well, Kerri, I'd argue that pornography really isn't that controversial, considering the sold out Hump! shows, and the multi-billion dollar porn industry in America. I would argue that saying gay men should be shot, covered with acid, and burned alive would still be considered controversial. Basically, this is equivalent to a RAHOWA concert being held at Neumo's, and while I'd hope you'd have the good conscience to protest that, judging from your comments, I would suppose not.

Reposted from a previous slog post -

A private business has every right to choose what kinds of speech it wants associated with it. To imply that Neumo's shouldn't, or doesn't have the right to exclude homophobic musicians is absurd and shows a juvenile understanding of the principals of free speech.

That this guy can promote the murder of people for being gay and people like kerri harrop can chastise charles for calling for some action on this is absolutely disgusting. I wonder if the reaction would be the same if this was KKK member signing about the lynching of blacks. Kerri and friends are some truly frightening folks that hide their bigotry as support for a constitutional principal they don't even understand.

First, any person who says, "Many of you know me and are aware that I am very gay friendly and have tons of homosexual friends and acquaintances," doesn't get it. Hey, I have a black friend. Oh and an Asian, too. And a WOMAN! Therefore, I'm cool and I get it, right? Bullshit. I'm sure Severin wouldn't have Greg Nickels down to sing about Good Neighbor Agreements because it ain't his politics, so why have a dangerous homophobe who wants to "boom bye bye/ inna batty bwoy head"?

Second, to Kerri Harrop: Jesus, Mary and Joseph. There is a difference between a "controversial form of art" and one (if you can argue that it is an art form, which is debatable) that incites violence.

"...yet i saw no outcry of why the stranger would not only create, and also shamelessly promote, hump, a film festival entirely devoted to behavior that many would find offensive."

As someone who attended Hump, I'd personally have no problem if people *were* offended and chose to protest or not do business with the Stranger and/or NWFF as a result. As long as they didn't resort to violence and didn't bring the government into it, I'd totally respect them for doing so.

I find it so strange that you are so gung ho about artists expressing their views but balk at the idea of others reacting and express their own views about that art.

kerri harrop wrote:

phil: nope, that's not what i am saying at all.

i understand that the stranger has certain guidelines for hump submissions [...] [T]hat does not make the end product (pornography) any less offensive to a number of people [...].

i think it is hypocritical for an entity such as the stranger to tout one controversial form of art [moving pictures of consensual sex between adults], while crying for censorship of another [a dance hall guy who once wrote a song about and often sings about the torture and murder of homosexuals].

Yeah, that's pretty much what I thought you said.

It doesn't sound to me like The Stranger is calling for the censorship of any form of art -- just one particular hate-filled instance of a form of art (and they're not exactly calling for the censorship of it, but the point is the same). And the hypocrisy? Give me a break.


Gitai wrote:

I'd argue that pornography really isn't that controversial, considering the sold out Hump! shows, and the multi-billion dollar porn industry in America.

No, something can be controversial and still sell out some shows in a densely populated and socially liberal area, and be related to an industry that makes billions of dollars in profit. But I see what you're saying. If enough people are willing to pay for something that someone can afford to sell it to them, then that thing can only be so bad. I guess.

Gitai continued:

I would argue that saying gay men should be shot, covered with acid, and burned alive would still be considered controversial.

I would like to say that it's not controversial at all, that we are in near-universal agreement that saying so would be just plain bad, but judging by your criteria from above (Is it able to fill a place like Central Cinema [or, say, Neumo's] and is it part of an industry that makes billions of dollars?), I must concede that maybe it's not so controversial. Is Neumo's selling tickets? Is dance hall music a big industry?


Lanik wrote:

A private business has every right to choose what kinds of speech it wants associated with it.

Mostly... but not quite, right? I mean, first there's the question of what "being associated with" some kind of speech means. To simplify, let's say that you take being associated with some kind of speech to include hiring someone to perform that kind of speech to your clients (your audience, if you're a music venue). In that case, I'm pretty sure that there are some restrictions on what is legally or ethically responsible (e.g., hate speech, "Fire!" in a crowded building, "this nicotine will give you strong bones and teeth", are excluded).

Lanik later wrote:

To imply that Neumo's shouldn't, or doesn't have the right to exclude homophobic musicians is absurd and shows a juvenile understanding of the principals of free speech.

I'm not sure exactly what you meant here. Call me nit-picky or just interested enough in what you wrote to seek clarification, but: You wrote that "To [SOMETHING] is absurd and shows a juvenile understanding of the principals of free speech," where [SOMETHING] means either "A or B" or "C or B", where A, B, and C, are as follows:

A. Neumo's should not have the right to exclude homophobic musicicians.

I'm not 100% positive about this, but I think I disagree. I'm fairly certain that they "should have the right" (in my opinion) to not do business with homophobic musicians.

B. Neumo's does not have the right to exclude homophobic musicicians.

Again, I'm not sure, but I think this is incorrect. I'm fairly certain that they do "have the right" (under our current system of law) to exclude homophobic musicians. I don't think that homophobic speech gets any special protection.

C. Neumo's should not exclude homophobic musicians.

This is more complicated. If they can sell the tickets, then from a financial perspective, you're right -- they should not exclude homophobic musicians (just because of their homophobia). But if, for instance, they think that a homophobic musician might spread his homophobic ideas more effectively if he is given the venue to do so (and if homophobia is undesirable), then I think you're wrong; they should exclude homophobic musicians.

So regardless of whether you meant "Implying A or B is absurd..." or you meant "Implying C or B is absurd...", I think you are wrong and/or I disagree. "B" is the real point of contention. A private business does have the right to hire someone to perform homophobic speech, doesn't it? I'm not saying that in my opinion it's okay/good/right to do so, only that a business has the right to do so -- just like I have the right to be a real asshole if I want to.


Lanik wrote:

That this guy can promote the murder of people for being gay and people like kerri harrop can chastise charles for calling for some action on this is absolutely disgusting.

I completely agree that the fact that this guy can promote such cruelty is disgusting. That he does so makes me think he is absolutely disgusting. That Kerri can chastise Charles for calling for some action in reaction to this asshole, though, is a simply result of free speech -- and well worth it, I believe.

That Kerri did chastise Charles for calling for action is kind of sad, as is Neumo's "accidental" booking of this homophobe to perform in our neighborhood.

Neumo's can probably do whatever the hell they want in this case. But if they realized after-the-fact that they contracted with some homophobic asshole to come spread his hateful but first-amendment-protected message in our neighborhood, then it would be pretty cool if they stood outside the show with a sign that said, "Howdy, neighbors. Please don't give this homophobic asshole any more of your money. We don't support what he says, even though we contracted with him to say it. It's just art, you know. Thanks, Nemo's."

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