Arts Minimal Techno’s Unlikely Roots
[Warning: incredibly geeky music post ahead.]
Revisiting the Nuggets boxed set (Original Artyfacts from the First Psychedelic Era 1965-1968), I had a revelation while listening to the Human Beinz’s adrenalized cover of the Isley Brothers’ “Nobody But Me” (which Tarantino put to stunning use in Kill Bill Vol. 1): much of it sounds like a template for the minimal techno that surfaced in the late 1990s. Check it: the keyboard drones; the spare, metronomic bass line; the emphatic, motorik 4/4 beats accented with claps and clipped woodblocks.
So, essentially, a 1967 garage-soul hit cut in Cleveland has helped to spawn, however infinitesimally, the ultimate austere European machine music. Unless anyone can point to an earlier influence, I’ll rest my case with the Human Beinz. (Taking bold positions—all in a day’s work.)
On the Slog, it is customary not only to take bold positions but to make grand, sweeping statements loaded with absolutes and then put them in boldface. I think you've almost got it, Dave.