I suspect the larger portion of the critisicm will take the form of "SALT N PEPPA, DUHHHH?"

I, however, prefer to ignore the many obvious counterexamples which could poke holes in your thesis.

I ask, instead, "what are the cultural roots of this curious creature, who will gladly grant full cultural legitimacy to almost any of the peoples of this earth, yet deny it to black, musical American women (unless they are gay)?"

I had thought, Mr. Mudede, that you had, through your extensive studies, freed yourself of the regrettably many and various strains of African sexism.

I may, of course, be once again reading a narrow western scholar's viewpoint into a perfectly innocent comment, but I must say, it will require rather overwhelming argument to convince me.