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Archives for 01/29/2006 - 01/29/2006

Sunday, January 29, 2006

Slogdance 22 —Seattle Award Winners!

Posted by on January 29 at 11:02 PM

If there were fewer Seattle films in Park City this year, you wouldn’t know it from the awards ceremonies. Over at Slamdance, Lynn Shelton’s We Go Way Back won the Grand Jury Award for Best Narrative Feature. That is awesome news for the movie, and also great news for The Film Company, who produced it.

Over at Sundance, James Longley’s Iraq in Fragments may not have won the Grand Jury Award, but it did pick up three other important awards: Best Director, Best Cinematography, and Best Editing. Hot diggity dog!

With that, I’m closing down this Slogdance blog. Maybe I’ll write this thing again next year.

-Andy Spletzer

Slogdance 21 — Hangin’ with the Peeps

Posted by on January 29 at 9:22 PM

Even when the movies aren’t the greatest, the thing that makes Sundance worthwhile is the people you meet and the people you hang out with. First off, I’ve got the best condo-mates with Jonathan Marlow and Hannah Eaves from GreenCine, and Seattle freelancer Shannon Gee. There’s also people I see every year, like Adam Roffman from the Independent Film Festival of Boston, film critic Ray Pride, Jonathan Wells from Res Magazine, Shawn Levy from The Oregonian, and a host of others. Some of these people I’ve met at Sundance, and others I only seem to see at Sundance.

Then there’s the filmmakers. One highlight from this year was hanging with the goofball brothers David and Nathan Zellner. They are the best makers of foreign films to come out of Texas. Their current short film Redemptitude is set in Australia (filmed in Austin), their last short was set in Scotland (filmed in Austin), and I believe they’ve set a movie or two in made up countries (filmed in Austin). Anyway, they came to the condo for chili and it was a blast. It was also fun hanging with the folks who made the Slamdance Special Jury prizewinner, The Guatamalan Handshake, when we were out and about. I hope both teams make it into SIFF.

We also hung out with Seattle’s own Lynn “We Go Way Backā€¯ Shelton a couple times, and met up with current Seattle resident (born in the Pacific NW), James “Iraq in Fragmentsā€¯ Longley. That was great, too.

So that’s how we filled our time when we weren’t sitting in mediocre movies. We were hanging with excellent people.

-Andy Spletzer

Allah Together Now

Posted by on January 29 at 4:49 PM

Sing along with Osama—It’s in the Koran!

Via Sullivan.

Smothering Mothering

Posted by on January 29 at 3:24 PM

As Savage would say, every child needs a mother.

Don’t You See? Big Momma’s House 2 Is All Of Us!

Posted by on January 29 at 2:15 PM

Today I checked the box office tallies for the weekend, hoping that Bubble, Soderbergh’s new movie which is simultaneously being released in theaters, on DVD, and on teevee-on-demand, would do well—I like the idea of movies available in as many different formats as possible, because I love the idea of tiny quality indies being able to make as much money as ridiculously huge Hollywood movies. But it didn’t crack the top ten—it’s actually not even mentioned in any of the articles I found. I did find this weird bit of crowing in regards to Big Momma’s House 2, the weekend’s top movie:

Bruce Snyder, president of domestic distribution for Twentieth Century Fox, said the popularity of its “Big Momma” films rests with Lawrence’s comic appeal. “People like the “Big Momma” character, pure and simple. She’s funny, she’s sassy, but it’s a guy underneath there,” Snyder said.

Snyder then added a ‘ka-boing!’ sound effect, farted for added emphasis, and fell down a flight of stairs, landing face-first in a woman’s cleavage. Sweet Jesus in a smoking birchbark canoe, some people really talk like this don’t they?

In other movie news, it looks like the movie version of A Million LIttle Pieces, originally slated to film this spring, might not get made after all. Which, I think, is maybe a little too rash…it could be done, really entertainingly, in an Adaptation sort of way, add some confessional stuff…a good director could have fun with it. Imagine a really amped-up scene where Frey, played by, say, Johnny Knoxville, blows up a cop car with a rocket launcher, and then we cut to Frey, played by, say, Sam Rockwell, being beaten to a distinctly unmanly pulp by Oprah and her army of angry white women. It could be great…unless, that is, James Frey isn’t willing to accept the fact that he’s a literary asterisk now, but he really just ought to acknowledge it and cash in while he can.

The NPR First Word of the Day

Posted by on January 29 at 9:44 AM

Today’s first word: “challenge

Not so bad…